Nov 182022
 

Mundo Loco by Erin Ko spotted in NYC in 2020. For more of her work also check out her Instagram.

The mural has recently been chosen by MakersPlace to be part of Equal Bytes, a new artist accelerator program that aims to “recruit and onboard additional women creators to the NFT space and support the minting and sale of their first NFT”.

Until 11/20/22 you can vote for your favorite artwork on their site and be automatically entered to win one of six NFTs selected by MakersPlace from the exhibition. All of the pieces included are by first-time women NFT creators.  The ten artists who receive the most votes will be invited to participate in their Featured Creators Program.

 

Nov 172022
 

Verve Supreme by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington (closer)

The Book of Remembering and Forgetting by Neverne Covington

The Book of Remembering and Forgetting by Neverne Covington

Currently at the Creative Pinellas Gallery is Arts Annual 2022. Creative Pinellas invited past Professional and Emerging Artist Grantees to participate in the show, which celebrates the work of local artists. Many of the works from the show are also available for sale.

For more on artist Neverne Covington, whose work is above, here is a bit more information.

This year the following artists are included in the show-

This exhibition is on view from November 11th through December 31st, 2022. It’s a great way to see some of the best artwork being made by local artists in Pinellas County.

A selection of some of the work on view is on the pages below, but all of the work is definitely worth checking out.

Nov 112022
 

Bosco Sodi’s outdoor sculpture installation, Perfect Bodies, presented by Pioneer Works, was on view in Redhook, Brooklyn from October 2020 until December 2020.

From Pioneer Works’ press release-

Sited on a once teeming commercial concrete parking lot two blocks south of Pioneer Works, Perfect Bodies speaks to, in artist Bosco Sodi’s words, “silence, contemplation and the passing of time—the small things in life and our relationship with the earth.” The installation consists of large-scale clay spheres and cubes made from local clay fired in the artist’s studio in Oaxaca, Mexico, which made the long journey by road across the Mexico-US border to Red Hook. A longtime resident of the neighborhood—itself named after the tone of its own clay soil—Sodi is known for his use of raw and organic materials to create textured paintings and objects.

Sodi’s ongoing dialogue with nature and landscape, shaped by his interests in Japanese aesthetics and Abstract Expression, puts himself in the lineage of both Arte Povera and Land Art—two post-war movements which emphasized, respectively, radically simple materials and an integral relationship between art and earth. As Spanish author Juan Manuel Bonet remarked in the artist’s 2020 eponymous monograph, his three dimensional works reconcile an interest in minimalism with the practices of Mexican heritage. On this topic, curator Dakin Hart further writes: “At his place in Oaxaca, Sodi hand forms large geometric sculptures from clay and fires them in a makeshift kiln on the beach. Cuboids in different formats recall the scale and how-did-they-do-that-craft of cyclopean architecture across the ancient world. While spheroids, each formed by eye in a landscape of unbelievable things, might be the petrified remnants—or organic vanguard—of a Jurassic invasion. The past seeding itself into the present, a starting point for nature’s revenge.”

Currently, as part of Art Biennale 2022, Fondazione dell’Albero d’Oro is showing What Goes Around Comes Around at Palazzo Vendramin Grimani, in Venice, Italy, until November 27th, 2022.  The art installation will include his paintings as well as recent sculptures.

 

 

Oct 262022
 

Beneath the Shell by Michael Reeder (@reederone) was created for the 2016 iteration of SHINE Mural Festival in St. Pete, Florida.

The St. Pete Arts Alliance website has more information on the artist and this work.

Oct 192022
 

The Blue Hour by Cecilia Lueza was created for the 2018 iteration of SHINE Mural Festival in St. Pete, Florida.

From the St. Pete Arts Alliance website about the work-

A rich, dusky blue with vivid rainbow swirls and the blue-tinted profile of a woman lit by moonlight is the focal point of 100 1st Avenue North. The mural is on the northwest corner of Central Avenue and 1st Street North, across the street from The James Museum.

Cecilia Lueza calls this piece, The Blue Hour. She explains, “It’s inspired by that magical time between daylight and darkness. It explores the visual effects of color, and movement, while evoking wonder and contemplation.”

The mural feels intimate, two sides of a corner angled inward. The left-hand side, facing east, is 17 feet high, 18 feet long. The right-hand side, facing south, is 17 feet high and 22 feet long.

The background is a rich, deep blue, the color of the sky moments after the sun sets. On the right half, facing Central Avenue, a calm and lovely woman’s face looks toward the right. Her face is in profile, from the neck up, so large that the top of her head is cut off by the mural’s edge. She’s painted a range of dark and lighter blues – and very realistic – like an idealized black and white photograph that’s been tinted blue.

Her expression is thoughtful, as if she’s been watching the sun set and is looking at the quickly fading colors as the stars and Moon begin to glow around her.

Her profile shows a graceful neck, high cheekbones and a smooth forehead, one dark eyebrow in a curve, and long dark lashes. The right edge of her face is outlined in light, as if she’s facing a full Moon. Her eye, her cheek, the edge of her nose, her lips, her neck and throat, are highlighted by moonlight. The rest of her face, and her neck, are dark indigo.

Instead of the long dark hair we expect, thick swirls of blue and green – and swirls of red, pink, orange and gold – flow behind her head and across the left half of the mural, the half that’s facing 1st Street.

A swirl of blue, in stripes from dark to light, touches the back of her head, falling in an undulating band from the top of the mural to the ground, as if this ribbon of color continues past the edges of the mural. Another end of this long band curves down and sprawls across the left half before arcing up and away.

A band of color striped from yellow and green to blue, twines across the left half of the mural before it swoops around the other blue band like a crochet stitch.

Behind the swirling blues and greens is a wave striped in pink, red, rose, watermelon and peach. It twists behind the blues and ducks under another wave, with stripes that run from red to gold. The blue-green swirls and the red-pink-gold swirls dive and tangle, full of motion.

The mural is a lovely combination of the calm and thoughtful blue-toned woman gazing out as light falls on her face – caught in thick waves of color.

Cecilia Lueza was born in Argentina and is now based in St. Pete. She’s known for vibrant public art pieces in a range of media. She explains that this mural has a sense of identity, and an element of discovery.

Her goal with this corner space “was to create an uplifting, evocative, and colorful focal piece that could be viewed and enjoyed from every angle.”

Lueza’s website is linked above, but more of her work can also be found on her Instagram.

Oct 132022
 

This is the last weekend to see Jason Hackenwerth’s exhibition DARKMATTER at Creative Pinellas in Largo, Florida. It includes the two giant balloon sculptures shown above, as well as several of the artist’s paintings and drawings.

To hear the artist discuss his work, and see more views of the sculptures and artwork in the gallery, check out this video.

This weekend is also Third Saturday at Pinewood (Creative Pinellas, Florida Botanical Gardens, and Heritage Village). For this event Hackenworth will be leading a family arts workshop where he will be teaching visitors how to create sculptures from balloons.

DARKMATTER closes on Sunday, 10/16/22.