Nov 072019
 

IDK- Digital

Things to do in Los Angeles this weekend (11/7-11/10/19)-

Thursday

Photographer, artist, and director Frank Ockenfels 3 will be giving a talk at ArtCenter’s Hillside Campus in Pasadena

REDCAT is screening a program of the works of artist Nao Bustamante- Nao Bustamante is DELUSIONAL

Skegss are playing at the El Rey Theatre with Le Shiv

Matt Lipps and Catherine Opie will be in conversation at Euclid at HGA in Santa Monica

Justus Proffit is playing at The Satellite with Behavior and Lovesick

The Echoplex is hosting An Evening With Robert Forster (of The Go-Betweens)

Beach Goons are opening for Matt and Kim at The Novo

 

Friday

Hayden Thorpe (formerly of Wild Beasts) is performing at The Masonic Lodge at Hollywood Forever

It’s the last weekend (closing 11/11) to see Christian Marclay’s fun interactive exhibition Sound Stories and Mary Corse’s A Survey in Light and tonight there is also free jazz with a performance by Al Williams Jazz Society (LACMA is free for residents with ID starting at 3pm weekdays and is open Fridays until 8pm)

The Hollywood Bowl is hosting a screening of Disney’s Coco with a live orchestra accompanying the film (also on Saturday)

San Fermin are playing at Lodge Room with Joyero

YACHT are playing their new album Chain Tripping in its entirety, followed by other favorites at Zebulon

Worn-Tin is performing at the Echoplex with Yung Heazy

 

Saturday

Keystone Art Space is having an open studios event from 6-9pm

Girl Gang Craft is having a holiday market at Grand Central Market (free and also on Sunday)

Arroyo Arts Collective and Avenue 50 Studio are hosting a holiday art market in conjunction with NELA’s Second Saturday Art Walk

DROELOE are performing at The Novo with MEMBA and Eastghost

Instrumental rock groups MONO and The Album Leaf will be performing at the Regent Theater

L.A. Drones! and CHUD are playing a free show at Gold Diggers

 

Saturday and Sunday

Tyler, The Creator’s Camp Flog Gnaw is taking place at Dodger Stadium with a great lineup that includes- IDK, FKA twigs, YG, BROCKHAMPTON, Thundercat, 21 Savage, DaBaby, Yuna, yasiin bey and more, plus carnival games

Tropicalia Fest is happening a bit further afield in Pomona with two days of music- performers include Natalia Lafourcade, Zoé, La Santa Cecilia, Quitapenas, and more on Saturday and on Sunday bands include Oh Sees, Wallows, The Drums, Surf Curse, FIDLAR, Skegss, Beach Fossils, Hockey Dad, The Red Pears, The High Curbs and many, many, more

 

Sunday

The Wende Museum is having an all day opening celebration for their exhibition The Medea Insurrection: Radical Women Artists Behind the Iron Curtain with a tour, reception and panel discussion with artists from the show

Hunter Shaw Fine Art is hosting a party for the release of Carla Issue 18- which includes music, drinks, and free copies of the magazine

Art critic and painter Peter Plagens will be discussing the work of Mary Corse with a special after hours viewing of her exhibition at LACMA which closes on 11/11 (free but ticket required)

Kanye West’s Jesus is King Sunday Service Experience is happening at The Forum

Teebs is performing at The Masonic Lodge at Hollywood Forever

Sloan are playing at The Echo

Nov 012019
 

It’s the last weekend to see Theaster Gates’ exhibition Line Drawing for Shirt and Cloak at Regen Projects in Los Angeles, closing 11/2/19.

From the press release

Line Drawing for Shirt and Cloak presents a complex reflection on desire, consumption and surrender using contemporary activations of the storefront as a vehicle for expressing both emotional and aesthetic intent. With a highly honed metal strategy and the artist’s entire wardrobe, this multi-faceted installation represents a conscious movement toward the freedom found when one’s appetite and the world’s insistence asks for everything, and a moment of clearing when emotive freedom is found.

Referencing the exhibition’s title, the gallery will be transformed by a series of free-standing and wall-mounted metal structures that demarcate the interior of the space, forming a series of line drawings onto which varying sculptural and quotidian works will hang. Additional sculptural forms supported by large stone pillars and large metal and wood platforms form the basis of an extant atelier. In preparation for the exhibition, Gates will transform his entire wardrobe into many smaller symbolic works, which will be placed en masse as a large sculptural work. This body of work, while a departure in material motif, underscores Gates’ ongoing interest in both the transcendental acts of reclusion and denouncement, and his inability to totally reconcile his appetite for spiritual truth with his competing desire for the things of this world. Through painting, sculpture, sound, and up-cycling, Gates continues to find truth in the unseen and evidence growth in ways unexpected.

A new vocal score conceived of and performed by Gates punctuates the exhibition space. The lyrics of the piece playfully riff on the biblical verse from which the exhibition’s title is inspired, and offer an explication for the artist’s metamorphosis.

“I’ve always been a lover of material things; fashion, antiques, adornment. A believer in the beautiful. But in this moment, I’ve never felt more need to question my own contempt and appetite. This process is not a spiritual attempt; it’s actually quite worldly. I can’t feel growth because I’m weighted by the things around me and people can’t see my growth. The accumulations are a distraction. But the title has much to do with what happens when the world charges you – the outside forces that judge and gnaw and hate. If the world wants to pursue me for this shirt, well, they can have it all.

The sculptural intent of the show is to introduce an unexpected spatial strategy at Regen that gives me permission to be free of conventional gallery tropes and form a set of new sculptural dictates that consider more of the everyday world of fashion and street activity. The project is a minor response to the growth of interest that the fashion world has in art and perhaps my own reckoning with the power of the hyper-public, hyper-everyday considerations that fashion affords. I’m in dialogue with Willie Wear, Girbaud, the Prada concern, retail projects in China, the historic fashions that Chicago House Music produced, and my mama’s church hats. While none of these things need to be immediately perceived, they are no-less present.” –Theaster Gates, 2019

Nov 012019
 

Closing 11/2 at Tanya Bonakdar’s Los Angeles location is Ernesto Neto’s interactive exhibition Children of the Earth.

From the press release-

In Children of the Earth, Neto creates an alluring environment of color, materials, fragrances and sound, transforming the gallery into a living organism, where visitors are encouraged to wander, touch, feel, interact and connect.

Upon entering the gallery, a curtain in green and brown patterns invites the viewer to walk through a tunnel-like path which leads to the main gallery space. Entitled Children of the Earth, a large-scale installation of crochet, spices and leaves hangs from the ceiling to the floor. The large biomorphic shape—hand knitted in vibrant colors of yellows, greens, purples and reds—is flanged by drop-shaped crochet vines that serve as counterbalance and establish the delicate equilibrium of the piece. Here, references to nature interconnect with formal questions of tension, gravity and weight. On the floor, tracing the outline of the structure above, a soft surface of handmade textile is installed. Ceramic vases sprout from the ground, representing the diversity of peoples inhabiting the planet, and that ultimately, we are all the children of the earth. Musical instruments, spices, and crystals comprise an integral part of this malleable, highly tactile sculpture, which engages the five senses, and invites viewers to connect with one another in new and meaningful ways. In expanding the boundaries of physical space and calling for a new type of interaction, Neto creates an experience that is physical, sensorial, intellectual and social all at once.

Surrounding the piece, as another layer of skin, hand-sewn fabric hangs. The organic pattern and color pallet further recall the natural world, as they invoke the forest, wood grain, or the circulatory system of a plant. The path the visitor follows throughout the space, and from within the piece—like an organic line in nature—is analogues to Neto’s conception of life where there is “no separation between humans and nature, nor between art making and art experience”, highlighting that in the exhibition, as in life, everything is connected.

In the back gallery a hanging platform with a crochet canopy and crochet tendrils is installed. Designed for direct interaction, this is a healing bed that offers a moment of rest and respite, where people can connect to themselves, as to one another.  The tendrils function as ‘connectors’, as they amplify the pulse of life while connecting us to the environment and to our own physicality. Embracing the participant in its serenity, the healing bed investigates the meeting point of art, sensation, personal connection and the human body.

The exhibition as a whole connects mind, body and nature through a sensory experience that is unmediated. It is an invitation to connect to ourselves and to our planet at a time when connectivity is most needed. For Neto, sculpture is an extension of the body, and the body is ultimately an extension of earth.

Oct 312019
 

Located in LACMA’s B. Gerald Cantor Sculpture Garden among the sculptures by Rodin is Zak Ové’s sculptural installation, The Invisible Man and the Masque of Blackness.

From the LACMA’s website-

The title’s references—Ben Jonson’s 1605 play, The Masque of Blackness, and Ralph Ellison’s 1952 novel, Invisible Man—mark two milestones in black history: the first stage production to utilize blackface makeup, and the first novel by an African American to win the National Book Award. In addition to literary references, the artist draws inspiration from Caribbean Carnival, a festival that originated from the Mardi Gras celebrations of the region’s French colonists, and Canboulay, a parallel celebration in which enslaved people expressed themselves through music and costume and paid homage to their African traditions. The installation’s 40 graphite figures stand tall and dignified to represent the strength and resilience of the African diaspora.

In the the video below, Ové  provides some interesting insight and information on the work.

This exhibition closes 11/3/19. LACMA is free for residents with ID from 3pm and is open late on Fridays until 8pm.

Oct 312019
 

Boy Harsher- Fate

Things to do in Los Angeles this weekend (10/31-11/3/19)-

Thursday

Foxes Magazine is hosting a Halloween Extravaganza at Lodge Room with a performance by theremin virtuoso Armen Ra, live bands performing songs by Bauhaus, Alice Cooper and The Damned, a burlesque show, DJ and more

The West Hollywood Halloween Carnaval runs from 6-11pm and is filled with fun costumed madness for a one mile stretch of Santa Monica Blvd. It gets VERY crowded. Don’t drive there.

Dead Ghosts are playing at El Cid with Adult Books and Venetian Blinds

 

Friday

Constitutional Happy Hour returns to Hammer Museum this time with Loyola Law School professor Kimberly West-Faulcon discussing the executive branch—Article II.

Metro Art is screening the 1926 film The Adventures of Prince Achmed with live music provided by Gamelan Merdu Kumala, as the first installment of their animated film series at Union Station. (free)

It’s the first night of the Substance 2019 concert at the Los Angeles Theatre with performances by Gary Numan, Adult., Xeno & Oaklander, and Kanga. For tickets to both nights go here.

TR/ST is playing The Novo with SRSQ and Saro opening

Johnny Goth and Ralph Castelli are playing at The Hi Hat with Finkel

 

Friday through Sunday

Blum & Poe is hosting the ACID-FREE Los Angeles Art Book Market. The three day event includes over 90 West Coast and international exhibitors presenting new publications and projects, film programming by Now Instant Image Hall and La Collectionneuse, an archival exhibition curated by Guadalupe Rosales, music by Pacoima Techno, and a schedule of additional programming.

 

Saturday

Boy Harsher are playing as part of the second night of the Substance 2019 concert. Tonight’s bands also include A Place to Bury Strangers,  John Maus, Black Marble, Crack Cloud and more

Día de los Muertos returns to Hollywood Forever for an all day/night event that includes over 100 altars, five stages of musical and theatrical performances, Aztec Ritual Dancers, an art exhibition, arts and crafts vendors, face painting, food, drink and more. Musical performers this year include Sávila, The Delirians, Lido Pimienta, and Café Tacvba. Get there early it draws a big crowd.

From 11am-4pm is Grand Ave Arts: All Access, a day of free programming that includes free admission to MOCA Grand Avenue, family films at REDCAT, an art and architecture tour of the Central Library, a backstage tour of the Dorothy Chandler Pavilion, a chamber music performance, a chance to check out the altars for Día de los Muertos in Grand Park and more

From 4-10pm Self Help Graphics is having a Día de los Muertos Party with performances by Buyepongo, Blanco Y Negro and more, plus a procession with life size Calaveras, face painting, crafting, and you can check out their exhibition Ancestral Lights

Artist Donna Huanca will be discussing her work at Marciano Art Foundation with British Venezuelan curator and art historian Cecilia Fajardo-Hill (free but ticket required)

Lala Lala is opening for Whitney at The Wiltern

Miss June are playing an early show at Moroccan Lounge

Guerilla Toss are playing at the Bootleg Theater with Gap Girls and Jonny Kosmo

 

Sunday

Artist Charles Gaines will be discussing his work and approach to art making with Thelma Golden, Director and Chief Curator of The Studio Museum, Laura Owens, and Gary Simmons, LA-based artists and former students of Gaines, at Hauser & Wirth (free but register)

Cherry Glazerr are part of this iteration of Dynasty Handbag’s Weirdo Night at Zebulon. Other performers include Peter Kim, Vik Floyd, Sandy Smiles, and the Uberdanzlabor Theatre of Gdansk.

Mykki Blanco, Brooke Candy, Phranc, and more will be performing at The Regent Theater for Queer Noise, a fundraiser for ONE Archives Foundation

Oct 292019
 

Closing this week on 11/1/19 is Enrique Martínez Celaya’s exhibition The Tears of Things, at Kohn Gallery.

From the press release-

This new body of work consists of a series of paintings and one sculpture that revolve around three dualities: our alienation from and interconnectedness with all that there is, the absurdity and redeeming possibility of embarking, and the tension between promise and risk. The imagery brings together skaters, ice-covered lakes, black apple trees, golden landscapes, bullfighting, moonlit butterflies, and whale bones. The work featured in The Tears of Things continues Martínez Celaya’s concern with displacement and exile in its psychological sense, while deepening his ongoing exploration of the limitations and possibilities of art’s capacity to reveal or create meaning.

Martínez Celaya is widely celebrated for a practice that arises from sustained engagement with literature, poetry, philosophy, and science, as well as his own writing practice. An artist, author and former physicist, he works in a variety of mediums and materials that include oil, wax, tar, mirrors, dirt, steel, silk and bronze, which he weaves together with physical, emotional and conceptual qualities into a multi-layered exploration of the human condition evoking both immediacy and timelessness. His practice is laden with a depth of textures and philosophical touchstones, often incorporating elements of mysticism and fairy tales, yet he creates works that resist narrative interpretations. His paintings, sculptures, photographs and environments address universal questions about life and the individual experience, loss, memory, failure and one’s place in an emotionally radiant yet chaotic world.

 

Oct 242019
 

Mikal Cronin- Show Me

Things to do in Los Angeles this weekend (10/24-10/27/19)-

Thursday

Oh Land is performing at the Bootleg Theater with Arthur Moon

X-TRA magazine is having a Fall Launch at Now Instant which includes a screening of artist and writer Nick Herman’s Some Among Others: Mexican Sound and Video Art

Poet Jana Prikyl is reading her work at the Hammer Museum

Plague Vendor are playing at The Echo with No Parents and Spirit Mother

D. A. Stern and Marso are playing a free show at Gold Diggers with a DJ set by Polyplastic

 

Friday

Mikal Cronin is playing at the Teragram Ballroom with Shannon Lay and Spring Summer

Late Night! At The Skirball features an outdoor screening of Stanley Kubrick’s The Shining to coincide with their exhibition Through a Different Lens: Stanley Kubrick Photographs. The event includes late night access to the galleries as well as a DJ, food trucks. a bar and more. ($5)

Michael Govan, the CEO and Wallis Annenberg Director of the LACMA, will be discussing the experience of working with Dan Flavin on the artist’s final commission, an installation in the interior of a church, Chiesa di Santa Maria Annunciata in Chiesa Rossa, Milan, at Bridge Projects

FIGat7th is hosting its 5th Annual Day of the Dead Celebration with face painting, tequila tasting, DJs and a Design Your Own Poster printmaking workshop by Self Help Graphics & Art (free)

Aldous Harding is playing at The Masonic Lodge at Hollywood Forever with Hand Habits opening

WHAP! Lecture Series at the West Hollywood Public Library continues with Sarah Roberts’ Behind the Screen: Content Moderation in the Shadows of Social Media

RF Shannon and Jess Williamson are playing a free early show at Gold Diggers

Danny Brown is performing at The Regent Theater with Ashnikko and Zeelooperz

The Echoplex is hosting Firewalk With Me: A Twin Peaks Halloween Party with live performances and DJ sets- including a performance by Angela Seo of Xiu Xiu, photobooths, art installations, and more

Heart Bones (Har Mar Superstar and Sabrina Ellis) are performing at the Bootleg Theater with The Pink Slips and DYGL opening

 

Saturday

Photographer Stephen Wilkes will be at Fahey/Klein Gallery to give a talk and sign his book from 2-4pm

Grand Park and Self Help Graphics & Art are hosting the annual commemoration of Noche de Ofrenda (Night of Altars) with a first look at the altars and live entertainment at Grand Park’s Performance Lawn

The Theatre at the Ace Hotel with the LA Opera is showing Hitchcock’s Psycho with a live orchestra performing the score. Tonight there is also a Hitchcock Halloween Afterparty to follow. (screenings of Psycho taking place on Friday and Sunday also)

Saintseneca is playing at the Bootleg Theater with A.O. Gerber opening

Morrissey is playing at the Hollywood Bowl with special guest Interpol

Fell Runner, Sofia Bolt, and Bridal Party are playing a free show at Zebulon

 

Saturday and Sunday

The Fall Brewery Art Walk is a great way to check out what artists are creating in this massive complex (free)

Heritage Square is hosting Los Angeles True Crime Stories, which will present historic characters, crime reenactments and early investigators recreating conventional methods of the day to solve cases and bring perpetrators to justice. Additionally, participants will discover how poisons and other typical methods of murder were employed in early Los Angeles crime history. ($20)

 

Sunday

Cody Trepte and Charles Gaines will be in conversation at Meliksetian Briggs (RSVP at bottom of this pdf)

Chief curator Connie Butler is leading a walkthrough of Lari Pittman: Declaration of Independence at the Hammer Museum at 2pm

Author Alice Hoffman will be discussing her new novel The World That We Knew at Skirball Cultural Center ($10)

Alexander Nemerov, chair of art and art history at Stanford University, will be at The Getty for the talk- True Guilt: Edward Hopper and the Death of George Bellows (free but ticket required)

Prepare to be scared at Hollywood Forever Cemetery where there is a screening of the 1974 horror classic Texas Chainsaw Massacre

(Sandy) Alex G is playing at The Fonda Theatre with Tomberlin and Slow Pulp

Marc Almond of Soft Cell is performing at the Palace Theatre with a special performance by Dita Von Teese

Oct 242019
 

 

Tammi Campbell’s exhibition Boring Art at Anat Ebgi in Culver City takes on the male dominated art world canon in a fun way. She’s recreated iconic works and then covered them with bubble wrap, packaging tape, and cardboard corners. But yet those materials are an illusion. They have been made with acrylic painting medium.

From the press release-

The gesture of covering these works emphasizes the preciousness of the goods they contain, while simultaneously highlighting the frequently invisible network of art world laborers, art handlers, shippers, registrars, studio assistants, etc. who support and care for them as they circulate. The coverings also obscure the originals and draw our attention to their fixed state of transition.

…Campbell is concerned with memorializing art history, while also making a break from it. Her work literally envelopes, secures, and mummifies historical paintings; it asks viewers to ponder what is valued and allows us to imagine making room for something new. Full of contradictions, Campbell’s work pays homage to the past, while simultaneously taking it hostage.

The title, Boring Art, is a reference to John Baldessari’s I Will Not Make Anymore Boring Art, but this exhibition is anything but dull. See it before it closes on 10/26/19.

 

 

 

Oct 232019
 

Luis De Jesus Los Angeles is currently showing Laura Krifka: The Game of Patience.

From the press release

The Game of Patience features new figurative paintings by artist Laura Krifka that depict female and male subjects in intimate moments within carefully constructed interiors. Krifka deftly paints her bare-skinned protagonists reading, drawing, daydreaming, watching, and waiting. The peep of a phallus and the highlight of a thigh gap allude to the pleasure of stillness, supplemented by the visual tension meticulously sculpted throughout the domestic spaces. A notable development in Krifka’s content is the genesis of idiosyncratic wallpapers that appear to direct the viewer’s gaze rather than lay flat. These imagined patterns create parallel planes of space, shift color and shape inexplicably, and build psychological tension, functioning like maps for the dream logic of each painting.

At the heart of Krifka’s practice are post-modern and contemporary critiques of canonical Painting. Krifka treats the false dichotomies of subject and object, male and female, observer and observed as comedic jumping off points before bending or breaking the rules and moving on to more nuanced and poetic concerns. Sensually charged in the pinks, purples, pea-greens, and ochers of afternoon reveries, all the protagonists are depicted in vulnerable situations, and Krifka wanders through paintings with surprising detail and care, in search of consent and a deeper understanding of the nature of desire.

This exhibition closes 10/26/19.