Oct 142023
 

For more work by WK Interact check out his website and Instagram.

Sep 222023
 

Nuestro Andar Florece by artist, muralist, arts educator and filmmaker Michelle Angela Ortiz, is located on the wall of Mixteca Organization in Brooklyn, NY. Mixteca is a community-based organization established by “a group of concerned community members to address critical needs in health, education, social and legal issues facing the burgeoning Mexican and Latin American immigrant community in Brooklyn”.

About the mural from the artist’s website-

Nuestro Andar Florece (Our Journey Blooms), celebrates the stories of Mexican immigrant women that have planted their roots in Brooklyn, New York. As part of the Barrio Roots Festival that took place in late October 2016, I led this mural project along with artist Federico Zuvire. The project was supported by Habitajes. They offered a series of creative workshops at Mixteca Organization with women that shared their immigration stories. The women are mothers, students, educators, and some survivors of domestic violence that found a new home in New York. The women decided on the messages that are conveyed in the mural. For three weeks, the artists, workshop participants, local Brooklyn artists, and neighbors participated in the creation of the mural.

 

Sep 122023
 

 

Above are two of the works from Athena LaTocha’s The Remains of Winter (Battle Hill, East), 2022, currently at Greenwood Cemetery in Brooklyn.

From the cemetery’s website about the work-

Athena LaTocha creates large-scale works inspired by her close observations of the natural world, from the deserts and mountains of the Southwest to the Great Plains. She often incorporates elements of these environments, including soil, sand, bark, and rocks. Recently, she has been particularly drawn to trees, considering them as record keepers that bear the markings of time.

Inspired by Green-Wood’s centuries-old trees and its legacy as a place of remembrance, LaTocha has created The Remains of Winter. She cloaked the remains of two massive European beeches on Battle Hill in thin sheets of lead, a material that has been used for centuries in coffins to slow the decomposition of the body. By hand-forming this malleable metal onto the trees, LaTocha captures the unique details of their shapes and forms, even as they slowly degrade beneath the lead.

All around these sculptures, the Cemetery is in a continuous cycle of transformation. Felled trees are turned into mulch for new plantings, earth is removed then replaced for each new burial, and even the stone monuments themselves slowly erode. Through The Remains of Winter, LaTocha memorializes these shifts and changes while also raising profound questions about what we choose to commemorate and mourn—whether it is what we can witness before us or that which, like the movement of continents and land masses, unfolds over lifetimes.

The sculptures will remain on view through September 2023.

Sep 042023
 

Brooklyn artist Ken Rush’s Poolevator is one of several works located in Industry City– organized by The Collision Project.

From The Collision Project about the work-

This installation represents both the reality and fantasy. The reality is depicted in the inspiring monumental architecture, while the fantasy emerges in the joyful addition of a swimming club with a celebration of swimming, sunbathing, recreation and play. For Rush, the work is a homage to Impressionist painters like Monet and Suerat, and the way that they depicted urban and rural pleasures. This is a group project between Rush and three of his students from High School Visual Arts at Packer Collegiate Institute in Brooklyn Heights.

Aug 252023
 

This mural was created by Hyland Mather, aka The Lost Object, in 2017 for Anti Gravity Project and The Foosaner Art Museum in the Eau Gallie Arts District in Melbourne, Florida. The museum, sadly, closed in 2021.

Aug 172023
 

This mural by Kelie Bowman in Eugene, Oregon was created in 2017. For more work by the painter and muralist, check out her Instagram.

Jul 172023
 

This mural by Marina Capdevila was created for the 2022 edition of the SHINE Mural Festival in St. Pete, Florida.

Check out her Instagram as well to see her most recent work.

Jun 032023
 

Rooted in the Community was created by Kenny Coil and Marc Merenguer of Break Maiden for the 2020 SHINE Mural Festival in St. Petersburg, Florida.

May 212023
 

The above photos are of Sanford Biggers’ sculpture The Oracle when it was located at Rockefeller Center in NYC in 2021, where it was part of a multimedia installation.

It now resides outside the Hammer Museum in Los Angeles, on the new outdoor sculpture pedestal on Wilshire Boulevard and Glendon Avenue. It will be there until March of 2024.

From the Hammer website about the work-

Anchoring this corner is Oracle (2021), a cast bronze figure weighing 7.64 US tons (15,280 pounds) and standing at 25 feet tall. This monumental commission from Biggers continues his “Chimera” series that hybridizes the canonical figures and gestures of Greco-Roman sculpture with an assortment of iconic African objects from the 14th–20th centuries. Unlike Biggers’s other “Chimera” sculptures that are made in marble, Oracle is cast in bronze. The seated figure in Oracle is a depiction of the statue of Zeus at Olympia, while the head is a composite of several masks and busts from different African cultures, including the Luba Kingdom and the Maasai.

Biggers sculpturally patchworks historical depictions of the body and their subsequent myths, narratives, perceptions, and power. Biggers is intrigued by the recent scholarship about the academic and historical “white-washing” of classical Greco-Roman sculpture simultaneously intersecting with the early twentieth-century “black-washing” of various African sculptural objects. Oracle challenges the associated cultural and aesthetic assumptions about their source material while acknowledging the often dubious origins of the original objects themselves.