Sep 092025
 

In honor of artist Sol LeWitt‘s birthday today (9/9), here is his work Wall Drawing #1240, Planes with broken bands of color (Akron), located at Akron Art Museum. It was created in 2005 and installed at the museum in 2007.

The piece was drawn by Megan Dyer, Tomas Ramberg, Joe Ayala, Jennifer Bair-Shipman, Ashlie Dyer, Kathy Ilg, Sarah Sutton and Kelly Urquhart.

From the museum about the work-

Presiding over the McDowell Grand Lobby is a wall drawing by Sol LeWitt, one of the leading artists of his time. LeWitt’s approach to art stressed rigorous design and geometric abstraction, rejecting narrative, emotion and representation for the reality of art’s elemental components—line, shape, space, color and the most important, concept.

LeWitt began creating wall drawings in 1968 in response to his concern-and that of other artists at the time-that art was becoming too much of a commodity. These drawings are not so much physical objects as ideas. The artist conceived and planned them; his “drafters” (artists themselves) draw them directly on the walls of museums and public spaces around the world. Drawings may share forms and motifs, but each is unique and many, like Akron’s, are site specific.

Wall Drawing #1240 was created by the artist for the 18 by 34 foot wall where the museum’s historic 1899 building and its 2007 expansion interconnect. The triangular shapes refer to the angled supports and folded forms of the newer glass and steel lobby, while the blocks of color echo the brick wall removed from the south façade of the older building. Two drafters, assisted by area artists, worked for five weeks to fabricate the wall drawing.

 

Jul 292025
 

Isabelle, by German sculptor Julian Voss-Andreae is located in Palm Springs, California. Voss-Andreae creates sculptures designed to change their appearance- disappearing at times when viewed at a certain angle. His background in science helped to influence this work when he went on to study art.

Below is a section of his biography from his website-

Prior to his art career, Julian Voss-Andreae studied quantum physics and philosophy at the Universities of Berlin and Edinburgh. As a graduate student at the University of Vienna, Voss-Andreae was one of the small team led by 2022 Nobel Prize Laureate Anton Zeilinger that conducted a ground-breaking experiment in quantum mechanics in 1999. The researchers showed that even molecules as big as C-60 “Buckyballs” can reveal their fundamentally quantum nature under the right conditions. Zeilinger’s group found that a beam of them, passed through a diffraction grating, will exhibit the purely wavelike property of interference. Subsequent experiments showed how interactions with the environment (in the form of infrared photons and background gas of different densities) will gradually wash away the ‘quantum-ness’ thanks to the process of decoherence, which is now recognized as the way the classical world emerges from the quantum.

Our Single Garment of Destiny, (pictured below) is located in  Washington Gladden Social Justice Park in Columbus, Ohio. It was specifically designed for the park and takes its name and inspiration from the Martin Luther King Jr. quote below.

“All [people] are caught in an inescapable network of mutuality, tied in a single garment of destiny.  Whatever affects one directly, affects all indirectly.”  – Martin Luther King, Jr., Letter from Birmingham Jail (1963)

The video below explains his process when creating the sculptures.

Jul 242025
 

Filtered Yellow, 1968, by Ohio artist Julian Stanczak, is part of Cleveland Museum of Art‘s permanent collection.

From the museum about the artist and the work-

For more than a half century, Julian Stanczak maintained a distinguished career as an abstract painter interested in how vision works. Filtered Yellow features hundreds of alternating reddish and greenish razor-sharp vertical bands that create the illusion of a yellow shape, despite the absence of pure yellow paint. As typical of his work, it emphasizes a high level of technical mastery rivaled by few.

And from the artist’s website about his work-

“My primary interest is color – the energy of the different wavelengths of light and their juxtapositions. The primary drive of colors is to give birth to light. But light always changes; it is evasive. I use the energy of this flux because it offers me great plasticity of action on the canvas. To capture the metamorphoses – the continuous changing of form and circumstance – is the eternal challenge and, when achieved, it offers a sense of totality, order, and repose. Color is abstract, universal – yet personal and private in experience.”

“If I take time to really look at what I’m seeing, there is no limit to the secrets unveiled. I look to nature for clarification and crystallization, for things that I can use in my paintings. I live in the moment of recognition. In search for power through abstract clarity, I select shapes that have the maximum possibility for metamorphic action. We can only see what we understand!”

 

Jul 042025
 

Bang, 1994, by Kerry James Marshall was on view at the Cleveland Museum of Art in 2024.

From the museum about the painting-

One of Kerry James Marshall’s earliest and most iconic large-scale paintings, Bang depicts three Black children in a verdant suburban backyard, observing the Fourth of July. Invoking the grand tradition of European history painting, the work exemplifies Marshall’s commitment to, in the artist’s words, “representing Blackness in the extreme and letting it be beautiful. Bang embodies Marshall’s dedication to a vision of American culture that includes and honors Black histories.

 

Jun 062025
 

Pictured above is All that Glitters is Gold (for Liberace), 2000, from the portfolio 1989. A Portfolio of 11 Images Honoring Artists Lost to AIDS, by Lari Pittman. It was on view last year as part of Cleveland Museum of Art’s group exhibition, New Narratives: Contemporary Works on Paper.

From the museum about the work-

Lari Pittman made this print as part of a portfolio honoring visual and performing artists lost to the AIDS epidemic. Dedicated to pianist and singer Liberace (1919-1987), Pittman referenced the performer’s renowned love for glitz and glamour through what he calls over-decoration. The male profile (perhaps representing a young Liberace), diamonds, sunbursts, and undefined architectural elements in layers of bright, complementary colors celebrate artificiality, or in the artist’s words, “frippery” that defines both Pittman’s practice and Liberace’s public persona.

 Art21 also has several videos of Pittman discussing his work worth checking out.

Jan 312025
 

Pictured are selections from Gustavo Prado’s Tempo, located in the windows of the University of Akron’s Polsky Building. You can also see the pieces lit up at night which give it a very different look. It is one of several works that are part of Curated Storefront’s ongoing project to transform downtown Akron.

From their website about the work-

Employing sculpture, performance, photography, and video, Gustavo Prado examines shifts in perspective to produce works that investigate different conceptions of reality. He focuses on light, site, and context to create a body of work that dissects the need to constantly negotiate inhabited space as a means of deriving an understanding of personal identity.

Exploring the complexities inherent in the act of gazing, Prado makes inquiries into a series of notions that are both intrinsic and extraneous to the field of art, such as surveillance, appropriation, voyeurism, aggregates, artificial intelligence, narcissism, information overload, and the right to privacy. He uses off-the-shelf materials that he slightly alters, enabling viewers to recognize the source material while understanding potential deviations from the intended use. Through processes of combining seemingly disparate materials and subject matter, Prado tests cultural assumptions of what can or should belong together.

Jan 312025
 

 

Curated Storefront is an Akron arts organization started in 2016 that is working to turn downtown Akron into an arts destination. Their projects include a collection of public murals and art in store windows. They also offer studio spaces to local artists.

One of their projects, Outside the Box, is a series of up-cycled shipping containers that house pop-up galleries and rotating murals.

Below are more selections from Outside the Box and information on the works from their website.

El Mac, “Stardust”

From the information plaque-

This mural titled Stardust depicts El Mac’s son as a baby looking up towards the sky, which creates imagery that the artist hopes “can be relatable to people and hopefully it suggests youthfulness and new beginnings. I had fun with the rendering , patterns, movement, and shapes. It was challenging for me and I think it’s beautiful, so I hope others do too.”

Palehorse, “Garuda”

About Palehorse’s mural from Curated Storefront–

Painting of the deity Garuda from Hindu mythology. Garuda (King of Birds) symbolizes the harmonious union of earthly strength and celestial freedom. As the divine messenger, he traverses between realms, embodying the bridge between humanity and the sacred. His outstretched wings form a shield of protection, a testament to his role as guardian and defender against adversity. Garuda’s presence inspires us to embrace our inner courage and navigate life’s challenges with unwavering determination. Just as he faces the serpents of life, we too can rise above obstacles, guided by his example. As you gaze upon this mural, may Garuda’s symbolism ignite your spirit, reminding you of your own capacity to soar to new heights, find peace amidst chaos, and stand strong in the face of all trials. Jai Guru! OM Garuda!

With over 20 years of experience as a professional illustrator, the catalogue of work created by Palehorse now serves as a breadcrumb trail, highlighting his intense curiosity and a relentless quest for deeper meaning and self-discovery. Years of seeking and following delightful and mysterious curiosities, eventually led to a devoted spiritual practice, arising from an ever-expanding love for sacred art, mystical scriptures, ancient cultures, plant medicine ceremonies, world mythology and travel.

The artwork of Palehorse aims to become more refined and meaningful as he increasingly becomes more spiritually adventurous through the years. His aesthetic harnesses the ancient power of traditional Thai ornamental design, blended with Indian motifs and symbols derived from the Thangka paintings of Tibetan Buddhism. As a follower of Paramhansa Hogananda, these inspirations are then filtered through the lens of an American yogi/psychonaut/illustrator, who was born in the late 70’s and grew up skateboarding, surfing, getting tattooed and playing guitar in metal bands.

John Comunale “The First Energy Monster”, Recycled tires and golfballs

John Comunale, whose work is pictured above, is an Akron artist with many works located around the city.

Studio Haz – Joshua Hall and Diana Paz- “This and That”

About the Studio Haz mural from Curated Storefront-

This mural is a visual dialog, a conversation between order and fluid organic forms. It is the first collaboration between the two artists.

Diana Paz is a Venezuelan Multidisciplinary artist based in Miami, FL. She has been fully dedicated to her art since 2012, right after graduating from her graphic design studies. Navigating between artistic expressions, she explores materials, shapes, spaces, textures and colors; reinterpreting elements from her native region as well as others taken from her everyday life. The result is a balanced union of elements; coming all-together in the cleanest and simplest way.

Joshua Hall, AKA Baghead, (born January 5, 1988) is a contemporary Latin- American artist from Miami, Florida. His work is derived from 90’s skateboarding, street typography, and early animation. He is known for his wooden sculptures as well as being a muralist. In his practice, Joshua reflects on his suburban adolescents; recounting them in fluid, abstracted and sometimes sculptural forms.

Steiner, “Repetitive Nature”

About Steiner and Repetitive Nature–

The bright and psychedelic colors and mutation of the third eye on the leopards represent human negative effects on nature. However, nature is ferocious (like a leopard) and fights back, reclaiming what is left behind by humans in a cycle that is repetitive. Nature finds a way.

Raised on surf/skate art and comics, and influenced by the likes of Jim Phillips and Todd McFarlane, Steiner began spray painting walls during middle school in the 90s. After traveling abroad and formal art training he returned to his street art and graffiti roots. He has lived and painted in San Francisco and New York, and now resides in Los Angeles. His work is reminiscent of the Toxic Avenger. It shows man’s effect on nature and manipulation of the environment. His work often has mutated beasts with multiple eyes, bright un-earthy colors and smoke ring cloud (pollution) backgrounds … so the 3 eyed Simpsons fish is a good reference to sum it up … an actual issue with a somewhat humorous delivery.

Axel Void (Alejandro Hugo Dorda Mevs), “Untitled”

L.E.O. (Reginald O’Neal), “Dr. John Henry Clarke And the Mundari People”

About L.E.O. (Reginald O’ Neal)–

L.E.O. (Reginald O’Neal), born in 1992 in Miami, Florida, began painting in 2012 and soon met his friend and mentor, Alejandro Dorda, also known as Axel Void, who would teach him classically.

In 2014, L.E.O. took his first trip to Europe to complete murals in Austria, Norway, and Spain, as well as exhibit in a collective show alongside his teacher in Berlin, Germany. In the years since, Reggie has focused on canvas work, residencies, and murals that embody his community surroundings, experiences and beliefs.

Gabriela Ayza Aschmann, “Momentum Absence Act”

From Curated Storefront about the Gabriela Ayza Aschmann’s mural-

It has two faces. What we see and what may be behind. Is it the absence of oneself that creates emotional instability? Sometimes we are in a sea of fire and we have to warp to hold on to ourselves so we can be our own lifesaver. With the vertigo of falling, you create a dance that in the end only you can learn to enjoy. Emily Dickinson wrote, “I was falling and in each crash hit, I ran into a world.”

Born in 1991 Cologne, Germany, Gabriela Ayza Aschmann is a Spanish-German artist currently based in Miami, Florida. She lived and studied in Andalusia, graduated from the University of Fine Arts in Seville, Spain. She continued learning with workshops and follow ups from different artists. In 2020, Gabriela attended her first artist residency with Void_ Projects in Miami, FL. Later, she followed her next artist residency at Gotulist Froyar, Feror Island, Denmark. Her last two shows titled I have an idiot inside me and Mom, let me be an animal for one day opened in Miami, FL where she presented a mixture of her personal collection of paintings.

Her practice represents the search for the poetic. She begins with considering that listening to ourselves and our environment brings us closer to the core of our existence. In her paintings one can find humor, sweetness and hardness at the same time. The artist observes and empathizes how humans are, measurably, beasts and brutes. Bluntly, she questions why humanity hides its beastiality: What is so dangerous about our depths? Her work is focused on oil painting, although in her process we can find poetry, theater, analog photography and other sculptural aspects.

 

Johnny Robles, “Gloria Bow”

About Johnny Robles and the mural from Curated Storefront–

Johnny Robles is a multi-disciplinary artist working at the intersection of art, technology, and nature. Studies in color theory, geometry, and science, combined with his natural and spiritual world interests are central to his work.

The artwork’s title, Gloria Bow, is derived from a glory rainbow, a halo of interlocking colors made up of tiny droplets of water reflecting sunlight scattered back towards the viewer. This phenomenon we see in nature can be experienced from tall buildings, a mountain top, or an airplane. Over the years, the artist’s experiences of observing glories have marveled and served him as reminders that nature seeks each of us. This painting intends to engage passersby in a moment of solitude, clarity, or stillness.

 

Nov 152024
 

78th Street Studios, located in Cleveland, is the largest art and design complex in Northeast Ohio. The building is home to several art galleries, artist studios, performance spaces, and businesses, and is a great place to see local art.

Tonight, 11/15, the complex and several of its creative spaces will be open from 5-9pm for its monthly Third Friday event.

Below are some selections from April of this year.

Work by Mark Yasenchack and paintings by Jenniffer Omaitz

“Love Triangle” by Jenniffer Omaitz

Gallery 202 has a variety of work from local artists for sale and also hosts exhibitions. Above is work from Jennifer Omaitz’s exhibition Where Love Lives and mixed media work by Mark Yasenchack.

Sculptures and installations can be found throughout the building like the light sculpture pictured above by Dana L. Depew.

Rebecca Cross’ installation Rock Cloud, was part of her exhibition Mapping the Sensorial at HEDGE Gallery. The gallery focuses on promoting contemporary artists from Northeast Ohio.

Susan Snipes’ work, pictured above was part of a group exhibition at Understory.

You can also see artists at work in their studios. Above is work by Jessica Mia Vito.

Dawn Tekler encaustic wax paintings like the one pictured above, are on view in her studio.

The painting above is by Laurel Herbold, located outside her studio.

Walking through the halls you can also find artwork hanging outside several of the spaces- like the two paintings below.

David King, “Snow Day”, Oil on aluminum

Scott McIntire, “The Birds”, Enamel on canvas

Jul 252024
 

Canton Museum of Art’s Spring/Summer Exhibitions include three artists who have created engaging new worlds for visitors to explore.

Ginny Ruffner’s sculptures hide colorful surprises in her exhibition Reforestation of the Imagination. Working with animator and media artist Grant Kirkpatrick, they have created digitally animated fictional plants that burst from the certain sections of the works when using their app on your phone (the museum will also loan you a tablet if you need one). Ruffner has also provided delightful descriptions for these creations, as well as her drawings.

From the museum-

Imagine an apocalyptic landscape. It appears barren, devastated, and hopeless. It is not.

In this traveling exhibition from the Renwick Gallery of the Smithsonian American Art Museum, internationally renowned artist Ginny Ruffner creates a seemingly bleak environment that suddenly evolves into a thriving floral oasis by combining traditional sculpture with augmented reality (AR) technology. In collaboration with animator and media artist Grant Kirkpatrick, Ruffner brings to life a colorful world where glass stumps suddenly sprout mythical flora that have adapted to their surrounding conditions in unexpected, beautiful and optimistic ways. By transforming the CMA lower galleries into a multidimensional experience, Ginny Ruffner: Reforestation of the Imagination calls into question the very notions of reality and fantasy, of concrete and abstract, and of desolation and hope.

Ginny Ruffner is among a vibrant group of artists bringing AR to museum installations. By using this technology as another art media, she transforms visitor experiences. The installation consists of landmasses featuring intricate handblown glass sculptures of tree stumps, with painted tree rings that function as discrete QR codes. These islands surround a landmass that supports a large fiberglass stump sprouting beautifully grotesque bronze and glass appendages. Other than the central stump and the painted shelf mushrooms and tree rings on the surrounding stumps, the scene appears colorless and desolate; however, when viewed through AR’s technological lens an alternate landscape is revealed.

Visitors can download the free app “Reforestation” on their phones or use the iPads in the gallery to bring this second reality to life. When the tree rings of a stump are viewed through the device’s camera lens, a hologram of a fictional plant appears to sprout from the sculpture. These imagined fruits and flowers have evolved from existing flora, developing dramatic appendages and skills necessary to flourish in this radically different environment. In this reality, tulips develop stem flexibility, pears contain windows to the outside world and flowers take on the form of birds. The installation includes Ruffner’s tongue-in-cheek descriptions of her fanciful flora and their remarkable, sometimes humorous adaptations, as well as 19 original drawings by the artist that were the inspiration for the AR images.

“This is nature reimagining itself,” said Ruffner. “The imagination cannot be exterminated. It just re-creates itself. To me, ‘Reforestation’ is about hope.”

The intricate porcelain works Janice Jakielski created for her exhibition Impossible Objects are reminiscent of papercut art. Through her unique ceramic process (detailed in the Ceramics Monthly article linked below) the delicate work takes traditional objects and presents them in new and intriguing ways.

From the museum-

Janice Jakielski is a Massachusetts (soon to be Colorado) based sculptor. By inventing new ways of casting and manipulating ultra-thin porcelain sheets she can create impossible objects of curiosity, beautiful objects to provide focus, retreat and pause in an overwhelming world.  Using meticulous detail, familiar forms and uncertain function she coaxes her audience to draw near, closing the physical gap between viewer and object.  In this way the details of workmanship and the excessive fragility of the porcelain act as a whisper, flirtatiously demanding investigation. Her impossible objects were also featured in the January 2021 issue of Ceramics Monthly.

For Laine Bachman’s paintings for Beyond Worlds, she has created detailed environments filled with creatures and color.

From the museum and the artist-

“Suspended in the ether of some surreal galaxy, the worlds I create give a glimpse into flora and fauna that exist in a hidden interplanetary realm.  Each is a themed bouquet where I explore and study different species that exist in our own world.  I relish the details of their structures and include many forms of life I find fascinating. I approach each piece as a puzzle with parts that can coexist, painting a picture of a precious ecosystem that becomes more complex as the work evolves.  One may find a frog nestled below a fern or a mole napping under a toadstool. There are many creatures and plants we recognize from the past and some that have yet to be discovered. Creating these planets has been a journey to capture the beauty of nature and elevate small moments that may otherwise go unseen. Though they reside in the mire of a newly formed galaxy, they are truly a celebration of our world and the life that exists within it.”- Laine Bachman

As a young child growing up in a once flourishing town in the Rust Belt of Ohio, Laine Bachman always had an affinity towards drawing and painting. Her parents encouraged her creativity from the beginning which led to her attending art school in nearby Columbus, receiving a BFA from the Columbus College of Art and Design in painting in 1997.

Often inspired by myths and folklore, Bachman infuses the worlds she creates with archetypal imagery, underlying themes, decorative motifs, and meticulous details. Working in watercolor and acrylics, her paintings are full of creatures and landscapes, real or imagined, that are all part of the larger story behind her work. Bachman’s work, recognized as Magical Realism, is greatly influenced by Henri Rosseau and his flat, lush, and detailed landscapes and also by surrealist Frida Kahlo.

Representations of life, death, beauty, innocence, and evil are depicted in Bachman’s work.  Whether it’s animals, insects, birds or favored objects, they become symbols of different expressions.  As owls are a symbol for wisdom or butterflies can represent a transformation, it’s this kind of idea behind the creatures that helps them tell a part of the whole story.

The works expose unique environments in which to explore and pay homage to the various forms of life that Bachman finds fascinating and mysterious in nature. Vast landscapes are used to showcase these life forms, showing the spaces between and the surfaces above and below. The worlds she creates are hidden and untouched by man, and give the viewer a glimpse into the secret lives of their peculiar inhabitants.

These exhibitions close 7/28/24.

The museum is free all day on Thursdays and tonight, 7/25, is the last of their Virtual Reality Nights. From 4-8pm you can create your own reality with VR headsets, guided by a CMA educator.

Jul 242024
 

The artists who make up small_bars, (Ry McCullough and Nick Satinover), are looking for participants for their new collaborative project– small_bars: To Activate A Landscape. Throughout July they are posting pairs of instructions, like the two above. You can choose to do any (or all) of the activities, in any order.

All contributions will be included and credited in a gallery exhibition at the Farmer Family Gallery at Ohio State University-Lima this August through October 2024, as well as the online archive of the project, and a small_bars printed publication.

Head over to their Instagram page to see all the different activities. Follow them to see what comes next, and send your submissions!