Aug 192023
 

Clearwater Main Library is currently showing Cuba: The Natural Beauty, a selection of photographs by Clyde Butcher. Butcher is famous for his large black and white photos of nature, taken with a large-format 8×10″ or 11×14″ view camera.

About the show from the Clearwater site-

Commissioned by the United Nations to create a portfolio of the mountainous lands of Cuba, Clyde Butcher set out on three week-long expeditions into unfamiliar lands. He explored the island country’s varied geographic regions, from the Sierra Maestra Mountains in Cuba’s eastern Granma province, to the southern coast between Manzananilo and Santiago de Cuba. He ventured to places including Baracoa in the northeast, the southern waterfalls of the Serra de San Juan, and the mogotes of the west in the Piña del Rio region.

While taking photographs for the Conference for the Sustainable Habitat of the Mountains, Clyde thought about being part of an event changing history for the better, and enthusiastically saw an opportunity to make a positive difference. His photography transcends political boundaries, challenging us to work together to protect natural places across the globe.

This exhibition will continue until 10/31/23.

This past Wednesday (8/16) Butcher discussed his work at Clearwater’s Capitol Theater. It was a pleasure to hear him discuss his history, his travels in Cuba, his work, a visit with President Jimmy Carter, and life since his stroke. He will often sit for hours, under an umbrella, just to get his shot. It was a thoughtful, humorous, and often inspiring lecture.

It is definitely worth checking out his website to see more of his work and to read about his unique life. His wife Niki is an artist too, and her work is also  on the website.

He has two galleries in Florida- The Venice Gallery and Studio, and Big Cypress Gallery near the Big Cypress National Preserve Oasis Visitor Center in the Florida Everglades. There are places to stay on the Big Cypress property and you can take a guided tour of the natural surroundings.

Aug 182023
 

Norbert Gonsalves, “Mood Indigo” and “Mellow Yellow”

“Interrupted Structure #61” by Babette Herschberger, Mixed media collage and acrylic on panel and “Stoneware Cups”

“Maia” and “Hektor” clay works by Craig Wood

Ceramic pieces by Jennifer Rosseter

Above are a few pieces from some of the artists in Salon Gestalt at the Morean Center for Clay in St. Pete, Florida.

From the center about the show-

Salon Gestalt is an annual exhibition of work created by the studio artists working out of the Morean Center for Clay. As the largest clay center in the Southeast United States, we take pride in the diverse collection of work that is created within these walls. Since 2001 our historic train station has brought together innumerable artists who, despite their individuality, find common ground in a shared passion for clay. Our center is a space where artists engage in dialogue, exchange ideas, and challenge one another. There is power in community, and clay has the unique ability to foster a strong sense of camaraderie. In sharing space, these artists support one another and grow together, nurturing both individual artistic practice and collective ambition. 

Salon Gestalt is a reinterpretation of the Paris Salon. While the original exhibitions have a history of exclusion and classism, our revision of the Salon rejects the notion that there is hierarchy in the arts. The Morean Center for Clay is a space where the novice and experienced artists can come to create and learn in a communal environment where everyone is accepted as equal. Together these artists form a collection of work that creates something greater than the sum of its parts. 

For more about the artists pictured above, head to the websites and Instagram links below.

Norbert Gonsalves (@shree_norbert)

Babette Herschberger (@abstractbabz)

Craig Wood (@craigwoodceramics)

Jennifer Rosseter (@jenniferrosseter)

Aug 182023
 

Car Smash Requiem, 2023 by Tony Rodrigues was part of the recently closed exhibition CMND/CTRL at Heiress Gallery in St. Pete, Florida.

 

Aug 122023
 

Work by Elliot and Erick Jiménez (photographs, left) and Reginald O’Neal (paintings, right)

Sculptures by Akiko Kotani, Paintings by MJ Torrecampo

Work by Denise Treizman

Work by Amy Schissel

Photography by Peggy Levison Nolan

Work by Magnus Sodamin

Work by Yosnier Miranda

Work by Cara Despain

There is some really impressive work currently on view for the 2023 Florida Prize in Contemporary Art at Orlando Museum of Art.

From the museum site about the exhibition-

The Florida Prize in Contemporary Art is organized by the Orlando Museum of Art to bring new recognition to the most progressive artists in the State. Each year OMA’s curatorial team surveys artists working throughout the State before inviting ten to participate. One artist will receive a $20,000 award made possible with the generous support of local philanthropists Gail and Michael Winn.  Artists range from emerging to mid-career, often with distinguished records of exhibitions and awards that reflect recognition at national and international levels. In all cases, they are artists who are engaged in exploring significant ideas of art and culture in original and visually exciting ways.

This year’s artists are-

Denise Treizman (@denisetreizman )

MJ Torrecampo (@mjtorrecampo )

Akiko Kotani

Peggy Levison Nolan (@peggylevisonnolan )

Amy Schissel (@amyschissel )

Reginald O’Neal (@_reginaldoneal_ )

Elliot & Erick Jimenez – (@elliotanderick )

Cara Despain (@caradespain )

Yosnier Miranda (@occurrences)

Magnus Sodamin (@magnificentmagnus )

On the following pages below are more works by the above artists and detailed information on their work in the exhibition.

Aug 112023
 

The painting above, Wave of Mutilation, is from Alex Sewell’s February 2023 exhibition Dad? at TOTAH in NYC.

Wave of Mutilation is also a song by the band Pixies, off their 1989 album Doolittle.

Aug 112023
 

Work by Jenny Granberry (top) and Victoria Block (bottom)

Journals by Eva Avenue (top left) and Laura Waller (bottom left) and photography by Andrew Sovjani

On the second floor of the Dunedin Fine Art Center are photographs by Andrew Sovjani and a collection of sketchbooks from a variety of artists, many of which you can look through- with gloves of course. It’s easy to spend lots of time with all the inspiring books these artists have created.

The exhibition closes 8/13/23.

About Andrew Sovjani, from the gallery-

Andrew Sovjani is a visual artist recognized for blurring the boundaries between photography, printmaking and painting. Raised in a family of working studio artists, art making is in his blood. Andrew has drawn from his life experiences in the scientific world and living in Asia to create transcendent bodies of work that are often extremely peaceful. His award-winning photographs have been shown in exhibitions throughout the U.S., Europe and Japan and are held in many public and private collections. He has won awards of distinction at many of the top fine arts festivals in the nation and was a finalist for the Critical Mass book awards in 2008 and 2016.

Some of the artists whose books are included in the exhibition are- Jenny Granberry, Victoria Block, Eva Avenue, Laura Waller, Dion Dior, Daniel Mrgan, Julia Collver, Coralette Damme, Joan Duff Bohrer, Marjorie Greene Graff, Lukas Mosimann, Luis Colan, Kathy Pollak, Jennifer Kosharek, and Katy Deits.

Work by Eva Avenue

Work by Dion Dior

Work by Daniel Mrgan (top) and Julia Collver

Work by Coralette Damme

Work by Joan Duff Bohrer

Work by Marjorie Geene Graff

Work by Lukas Mosimann

Work by Luis Colan (left) and Lukas Mosimann

Journals by Kathy Pollak

Work by Jennifer Kosharek

Work by Katy Deits

 

Aug 072023
 

In honor of Leo season, here’s French artist Rosa Bonheur’s painting Crouching Lion, 1872, currently on view at Orlando Museum of Art.

From the museum’s information plaque-

Rosa Bonheur specialized in animal subject matter and was one of only a few women in the 19th century to achieve international success as an artist. She painted large-scale and complex compositions that were regularly exhibited in the prestigious Salon-the official art exhibition of the Académie des Beaux-Arts.

Bonheur did many versions of lions at rest, alone or in groups. A number of these compositions were reproduced in popular engravings that helped give her work a large international audience.

 

Aug 042023
 

The work above is from Regina Durante Jestrow’s current exhibition Free Form Connections at Dunedin Fine Art Center.

The artist’s statement about the exhibition-

This exhibition includes my organically shaped geometric art quilts from various series from 2020-23. I utilize improvisation, repeat patterns and shifts in scale while incorporating colors, textures, and structures representative of the diversity of the people and the natural surroundings of my current home in South Florida.

I use diversely toned second-hand, gifted, or saved fabrics and dyes from locally sourced plants and rust. Textiles are also manipulated with burning and staining with inks and acrylic paint. Other materials, such as neoprene, sequins, and faux leather, reference Miami’s pop culture.

Along with my constant interest in American Folk-Art Quilts, geometric-abstract artists from the mid to late twentieth century are my influencers, including Gees Bend quilters, Elizabeth Murray, Helen Frankenthaler, Anni Albers, and Gego. These artistic voices have driven me to create quilts of scale with strong personal symbolism and narrative.

This exhibition is on view until 8/13/23.

Aug 042023
 

The sculptures above are from Kat Howard’s current exhibition Controlled Telling, at Dunedin Fine Art Center.

From the gallery about the work-

Kat Howard’s work interrogates the complicated process of healing from trauma. The sculptures in ‘Controlled Telling’ examines the burden and pressure to conceal the truth.

Existing as various restricted forms of cotton, bound braids, transparent quilts, compressed scraps of muslin, mound of raw material, or hand-twined waxed rope, the writhing abstracted bodily forms overwhelm and invade the viewer’s personal space, emulate the feeling of tension, imploring the viewer to navigate physically and emotionally around them.

Howard creates visual art that uses abstraction, the innate language of texture, and the repulsion/attraction of touch to interrogate her identity as a survivor of abuse and sexual violence. The material and texture of the object is integral to her practice, and its connection to the body. Evidence of the hand and the physical marks of the body are always present in her work. What happens to the body when it is forced to become a vessel for trauma? In what ways do we physically carry pain? How is the self altered afterwards?

Howard’s pieces either have a physicality to them that feels almost human, or they are twisted abstractions from the domestic landscape. Repetition and labor are vital aspects to the work. Through the labor, the anxiety tethered to a desire for freedom is palpable. The viewer can sense the thousands of hours, and the fevered precision which act as an echo of the madness in the mind that comes to claim the body. What does freedom look like? The answer is in taking up space. The answer is in speaking up. The answer is in the attempt.

This exhibition is on view until 8/13/23.