Aug 042023
 

There are so many wonderful, detailed art works in Hannah O’Hare Bennett’s current exhibition Recede, on view at Dunedin Fine Art Center. They are all worthy of a closer look.

Below is the artist’s statement about the work-

“From the moment we are born until we die, we are almost constantly in contact with cloth as we move through our lives. Without thinking about it, we are familiar with its varied qualities–the simplicity of white cotton, the luxury of silk velvet, the flexibility of knitting, the structure of weaving. We can see the impact of time in a piece of fabric: how it wrinkles, stains, takes repairs, unravels. Handmade paper is a kind of non-woven cloth and is in fact often made of recycled cotton or linen. It can be dyed, stitched, wrinkled, torn, and repaired much in the same way as fabric.

My work explores the expressive possibilities of these materials, which I use to deal with my fascination with time altered urban and rural landscapes. A piece of land in the Oregon outback, the brick wall of buildings in Madison, a leafy Minneapolis neighborhood, etc. are all impacted by the passing of time, actions of human beings, weather. These occurrences can be incremental or sudden, and the change they bring almost imperceptible or very radical, each change layering on top of what came before. I use that observation to inspire my work. Fabric surfaces are worked over with layers and layers of pigments, embellished with embroidery, dunked into dye, cut and torn. Paper pulp is poured, dipped, mixed with sawdust, painted, crumpled and smoothed out again. In this small human way, I am channeling the world into the objects I create.”

The exhibition closes 8/13/23.

Aug 012023
 

Sun and Moon, created by Jia Sung, is one of the artists chosen by The Collision Project, whose work can be seen in Industry City, Brooklyn.

About the mural-

The mural depicts two goddesses from Chinese mythology, flanking the courtyard door. The lunar deity Chang’E floats on the left with her companion rabbit, while solar goddess Xihe sits on the right with her ten sun-crow children. The paired murals reimagine protective door guardian imagery through the lens of the divine feminine.

 

Jul 292023
 

The above painting is Leslie Lerner’s My Life in France: The Oceanside (The Green Day), 2002, currently on view at Tampa Museum of Art.

From the museum’s wall plaque about the work-

Paintings and sculpture comprise Leslie Lerner’s series My Life in France, a fictional travelogue of the artist’s globetrotting alter ego. Inspired by Rococo painter Antoine Watteau (French, 1684-1721), Lerner’s work nods to the idyllic and lush canvases of 18th-century landscape paintings. The Oceanside (The Green Day) depicts a man standing on a grassy cliff and facing the ocean. His size pales in comparison to the vastness of the ocean he faces. Calming shades of aquamarine blue and moss green emphasize the serene beauty of the shoreline.

Born in Chicago, Illinois, Lerner developed his artistic practice in San Francisco and initially created installation art. He taught art in various colleges and universities in California for several years before relocating to Sarasota, Florida. For 15 years, Lerner served on the faculty at the Ringling College of Art and Design.

Jul 272023
 

“A Cut Below”, 2000, Acrylic on canvas

Theo Wujcik’s painting, A Cut Below, is part of Tampa Museum of Art‘s All in Favor: New Works in the Permanent Collection, on view until 7/30/23.

Jul 252023
 

Currently at the University of Florida’s Contemporary Art Museum is Rico Gatson: Visible Time. The exhibition includes a collection of the artist’s paintings and works on paper, video works from 2001-present, and a life size mural of author Zora Neale Hurston.

From the museum’s website about the exhibition-

For more than two decades, Brooklyn-based artist Rico Gatson has been celebrated for his vibrant, colorful, and layered artworks. Inspired by significant moments in African American history, identity politics and spirituality, his oeuvre includes images of protests and longstanding injustices—touching on subjects like the murder of Emmett Till, the Watts Riots, and the formation of the Black Panthers—as well as dynamic abstract geometries that celebrate Pan-Africanist aesthetics and Black cultural and political figures.

About the mural, Zora III, commissioned by the museum (pictured above)-

Zora Neale Hurston was an American author, anthropologist, and filmmaker. She portrayed racial struggles in the early-1900s American South and published research on hoodoo (a set of spiritual practices, traditions, and beliefs created by enslaved Africans in the Southern U.S.). The most popular of her four novels is Their Eyes Were Watching God, published in 1937. Born in Notasulga, Alabama, Hurston grew up near Orlando, in Eatonville, Florida, incorporated in 1887 as one of the first self-governing all-black municipalities in the country. Despite her landmark achievements, Hurston died penniless and in obscurity in 1960-her novels and other writings largely unknown, until they were single-handedly rescued by novelist Alice Walker in 1975. Through his wall painting Rico Gatson extends the monumental impact of Hurston’s legacy-and Walker’s- into a visual arena reminiscent of the Mexican Muralists and hand-painted cinema signs.

“Untitled (Seven Panels)”, 2022 acrylic paint on wood, in seven parts

From the museum’s wall plaque about the above paintings-

According to catalog contributor Mark Fredricks, Rico Gatson’s “panel paintings” resemble “a musical framework.” Arranged together along a single wall, the “rhythm” animating their colorful compositions and their “uniformity of structure” suggest, anthropomorphically speaking, musicians in a jazz combo. One of the many ways in which Gatson draws on music as a lasting influence in his art, his seven panels approximate what legendary jazz player Albert Ayler described as “the healing force of the universe,” but in three dimensions.

“Don” 2022, Color pencil and photo-collage on paper

“Sidney” 2022, Color pencil and photo-collage on paper

“Miles #2″ 2022, Color pencil and photo-collage on paper

Below are images are from Four Stations, one of the five moving image works in the exhibition. For this work, Gatson traveled to Money, Mississippi and took handheld footage along the trail of places and events that led to the lynching of 14-year-old Emmett Till.

“Four Stations” 2017

On one of the smaller screens is Gun Play, 2001, a film collage that mixes sequences from Foxy Brown and The Good, the Band and the Ugly, combining them together with kaleidoscopic effects.

“Gun Play”, 2001, single-channel video, color, sound

This Thursday 7/27/23, the museum will be showing Spike Lee’s Do the Right Thing, the last of the three films chosen by Gatson to accompany the exhibition.

The exhibition will close on Saturday, 7/29.

Jul 242023
 

This mural by Shark Toof was created for the 2015 edition of the SHINE Mural Festival in St. Pete, Florida.

About the mural from the St. Petersburg Arts Alliance website

The artist hails from Los Angeles and is known around the world for his iconic shark illustrations. Although the shark’s reputation is fearsome, Shark Toof uses the image of a shark to give strength, optimism and possibility to the viewer. He sees the shark as a voice of rebellion, and a conduit for the unheard.

At the artist’s request, the wall was painted red before he got to St. Pete. Even so, the mural took four days and almost one hundred cans of aerosol paint – and it was a challenge because of wires and the architectural details of the wall.

When the painting was done, the artist stepped into the doorway on the bottom right, closed the iron grate and said, “See? Now I’m in a shark cage!”

For more of Shark Toof’s work also check out his Instagram.

Jul 212023
 

“Precarious recline”, 2015, Found lawn chairs, strap, bottle

This sculpture, Precarious recline, is from Bjorn Copeland’s 2015 exhibition Over Easy at Various Small Fires Los Angeles. It was created using discarded furniture found around East Los Angeles.

The exhibition also included a sound sculpture, Scrambled Eggs, Mexican Radio Edit (2015).  It was made in collaboration with the artist’s Black Dice band mates Eric Copeland and Aaron Warren, and combined signals from multiple car radios in an unpredictable and erratic disharmony. The resulting composition was synthesized in real-time and constantly changing.

The video below is for White Sugar, from Black Dice’s 2021 album Mod Prog Sic.

Jul 212023
 

“You’re Fired”, 2015, Concrete, grill, shredded office documents, charcoal

This sculpture by Josh Kline was located in the Various Small Fires Los Angeles courtyard in 2015.

From the press release-

In the warm breeze of Southern California’s endless summer, the 20th Century dream of life in the early evening after work: a large backyard covered in concrete and grass, a hammock or a lawn chair, cold beer, and a blazing grill. Ground meat sizzling above a glowing bed of charcoal soaked in lighter fluid. Underneath the avocado tree. Or the oak tree. Or the whatever tree. Putting the last 8-10 hours of your day out of your mind and enjoying your “free” time. A nuclear family fantasy repeated across hundreds of millions of suburban and semi-suburban homes and half a century of North American lives.

Pattern recognition is the primordial ooze from out of which living consciousness and intelligence crawled into the minds of animals. The ability to recognize repetitive relationships and recurring phenomena. The habits of food, the faces of your loved ones, and the sounds of human language. From automobile factory assembly line and the discount drug store cash register today to the taxi cab’s driver seat and patent lawyer’s office tomorrow: unconscious software is slowly and not-so- slowly aping the abilities of the living mind.

Reading without eyes. Recognizing without consciousness. The outsourcing of understanding. You’re Fired!

The first U.S. museum survey of his work, Josh Kline: Project for a New American Century, is currently on view at the Whitney Museum in NYC.

 

Jul 202023
 

Built Landscape I, 2015, by Paul Davies, was included in Palm Springs Art Museum’s 2018 group exhibition, Eighty @ Eighty.

From the museum’s wall plaque-

Through a rich process of layering, mirroring, and mimicking, Davies explores the fusion of manmade and cultivated natural elements that comprise our environment. Reflecting a contemporary Southern California sensibility, his paintings are at once a dream of an idealized lifestyle made popular by midcentury modern architecture, and a commentary on how such structures interact with and fragment the world around us. This image references the unique periscope-like structure of architect Albert Frey’s first home in Palm Springs.

Davies’ work can currently be seen as part of Stark White gallery’s exhibition Surface Tension in Queenstown, New Zealand, on view until 8/20/23.

 

Jul 202023
 

Polly E. Perkins, “Woodstork Portrait”, 2022 from Ferman Center for the Arts

24 Hands is a printmaking collective of Florida Gulf Coast printmakers founded by Marjorie Greene Graff. The group has regular exhibitions throughout the year at various locations in the area.

Recently a group of their artists were showing work at The Ferman Center for the Arts, on the University of Tampa’s campus. Below are a few selections from that exhibition.

For more information on Polly E. Perkins, whose work is in the first image, check out her Instagram.

Linda Dee Guy, “Botanical Shroud”, 2021, acrylic, Inkjet print, Goldleaf on canvas

Linda Dee Guy, “Nucleus”, 2021

Linda Dee Guy, “Seascape”, 2021

For more work by Linda Dee Guy, check out her website and Instagram.

Serhat Tanyolacar, “Untitled”, 2020, Laser engraved relief print

Serhat Tanyolacar, “Untitled”, 2020, Laser engraved relief print

For more work by Serhat Tanyolacar, check out his website.

Ry McCullough, “Meditations in Orange”, 2021, Pochoir, serigraphy, gouache, watercolor, vinyl, gaffers tape on okawara

For more of Ry McCullough’s work, check out his website and Instagram.

Currently at Brooker Creek Preserve’s Education Center in Tarpon Springs is Nature Inspired, another exhibition of work by the 24 Hands collective.

From the exhibition-

For “Nature Inspired”, the artists visited Brooker Creek Preserve in March 2022 and March 2023 to strategize the exhibit and hike around the Preserve. Their love for Brooker Creek and nature has been inspiring and their work represents a variety of approaches from comical to realist to aesthetic abstraction. The exhibition includes prints by: Holly Bird, Saumitra Chandratreya, Tyrus Clutter, Elizabeth Coachman, Marjorie Greene Graff, Mary-Helen Horne, Stephen Littlefield, Ry McCullough, Polly E. Perkins, Christine Renc-Carter, and Rachel Stewart.

Below is work from the exhibition by Mary-Helen Horne. You can also find her work on Instagram.

Mary-Helen Horne, “Floating on Air”, 2023, Monoprint with drypoint, relief and pochoir

Nature Inspired has been extended until 8/13/23. It’s a great show and a chance to check out the natural surroundings that helped create the work.