Oct 282023
 

Installation by Edgar Sanchez Cumbas

The Ybor City Arts Tour was last week and was a great way to check out the many spaces currently in the Ybor City area. The Kress Contemporary building with its multiple galleries, artist studios, performance space (The Fringe Theatre), and microcinema, was definitely a highlight.

The above images are of sculptural work by Edgar Sanchez Cumbas (he was also in the Department of Contemporary Art group show in the same building). It is just one of the rotating works you can find while walking around the space.

Below are some selections from the event.

Kim Radatz opened her space, currently showing an installation focused on the “C” word.

Screen Door: An Ybor City Microcinema is always showing interesting films from a variety of genres. Pictured are the seating area and the movie posters lining the hallway outside of the film viewing area. For the art tour they were showing past Flex Fest short films.

On the third floor are a large group of artist studios with several walls hanging work by many of the artists.

Work by Jon Pannier

Sculpture by Eileen Goldenberg

Polaroid work by Brian Pannier

Lots of great work by the three very different artists that make up the Y3K Collective- Jon Pannier, Eileen Goldenberg, and Brian Pannier, seen above.

Work by Juan Espinosa (left) and Ashley Cantero (right) of Dluance

Inside Dluance

Creative space Dluance is run by visual artist Ashley Cantero and music producer/ graphic designer Juan Espinosa.

Paintings by Marilyn Binder Silverman

Paintings by Eilzabeth Fontaine-Barr

The work above is from the painters Marilyn Binder Silverman and Elizabeth Fontaine-Barr who share their studio space.

Painting by Karol Batansky

Self taught painter Karol Batansky just moved in to her new studio from the Ybor Art Colony which is closed while currently being renovated.

Mixed media artist Chase Parker makes a variety of work, including the unique sculptures pictured above.

Ron Watson creates highly detailed drawings at his Shades of Gray Studio.

Below is one of the common spaces filled with work by a selection of artists. It’s always worth a trip up from the 2nd floor galleries even if most of the artists are not in their studios to see what’s new.

Work by Jenal Dolson (left) and Michael Jones (collage, right)

The next post will focus on three spaces outside of Kress Contemporary that were also part of the tour.

Oct 252023
 

Anthony Freese “State of Emergency”, 2023 vinyl and “Termination”, 2023 3D print

(L to R) Jay Giroux “Slow Burn”, 2023, waterborne acrylic on aluminum sign panel mounted to MDF; Ryan Lagasse, “This Isn’t Sunshine”, 2023, acrylic on wood; Blake Bailey, “Solar Pressure”, 2023, linocut relief print

Ryan Lagasse “This Isn’t Sunshine”, 2023, acrylic on wood

Jay Giroux, “Drug Store”, 2023, acrylic on primed MDF

RJ Martin, “Cold projections”, 2023, digital print on signboard and “Truth in blue”, 2023, 3D print

(left) Edgar Sanchez Cumbas, “Where There Is Brown There Is Gold”, 2023, digital print embellished with wax, acrylic, and charcoal on Arches cold press 140lb paper; (right) Joana Hila “Equilibrium of Insect & Flora”, 2023, mixed media

The works above are from Department of Contemporary Art’s latest group exhibition Degrees, organized with Tampa’s Greater Public Studio. It explores the multiple uses of the word “degrees” including in climate change, education and history.

Artists included in the exhibition- Blake Bailey, Anthony Freese, Jay Giroux, Joana Hila, Ryan Lagasse, Richard Martin, Julia Parrino, Alex Roberts, and Edgar Sanchez Cumbas.

About Degrees from the gallery’s website-

In this exhibition, we unravel the layers of meaning behind ‘Degrees’. From the nuanced shades of truth that shape our perceptions to the tangible degrees of temperature that influence our environment, the exhibition creates a dynamic dialogue between different dimensions of this concept.

Situated in a pivotal battleground state, the exhibition also contemplates the intricate relationship between degrees and the pressing issue of global warming. Delving into the political discourse, we examine how degrees of belief and denial intersect, particularly in the context of climate change debates.

Furthermore, the exhibition prompts contemplation on the notion of an art degree. What does it signify? How does it define one’s creative journey? These questions guide us through an exploration of artistic qualifications and the degrees of expertise they represent.

A journey through art history reveals the connection between degrees and lines, as we delve into the associations between angles, perspectives, and the progression of artistic movements. This collection invites you to ponder how degrees of inclination can shape artistic expression and historical narratives.

Join us in this immersive exhibition, where degrees of interpretation converge, offering a multi-dimensional encounter with the concept of ‘Degrees’.

Tomorrow (10/26/23) from 6-9pm is the last chance to see the show.

Oct 242023
 

Ermin Tabakovic has created an intriguing world with his geometric paintings for Transcending Space, on view at Morean Arts Center in St. Pete.

From the gallery’s website-

Ermin Tabakovic was born in 1980 in former Yugoslavia (now Bosnia). In 1993 he and his family moved to Berlin, Germany where they lived between 1993-1998. As a teenager in Berlin, Ermin was involved in the city’s vibrant graffiti art scene and completed numerous murals. In 1998 he and his family emigrated to the United States, settling in the Tampa Bay area. Upon arrival in the US, Ermin took on painting and studied at St. Petersburg College where he focused on art and architecture. He went on to study art at the University of Central Florida in Orlando where he completed his BFA in Art Studio with Minors in Graphic Design and Art History.

Ermin actively exhibited his work between 2000-2008, taking part in many shows throughout Florida. He stopped painting in 2008 due to health issues and picked it up again in 2020 with a new vigor and a new vision. His new works are mature, colorful and bold representations of his core vision and aesthetic steeped in geometric form and a structural sensibility. Currently Ermin resides in Tampa with his wife Lisa and their beloved cat Maximus.

“Modern geometric painting has had a very big influence on my work, especially the Constructivist artists such as Malevich and El Lissitzky and the various other modern Art movements of the 20th century such as Cubism, Neoplasticism, Minimalism, and Surrealism. In my current work I tend to fuse all these different influences and combine them with my own personal aesthetic to create a new visual language that transcends the past and points to something new and different. We live in a digital age, so there is that digital touch to my compositions as well by using the hard-edge approach.

“I want the works to be visually striking, thus my use of vibrant colors, contrast, pure and robust geometric forms, clean lines, etc. I also like to add a surreal touch to my works to give them a sense of mystery and visual drama. Furthermore, I seek to create visual paradoxes by intertwining 2D and 3D space to add tension and ambiguity. My aim is to challenge the viewer’s perception of space and test the boundaries of what is possible by juxtaposing the seemingly impossible.”

This exhibition closes 10/26/23.

Oct 242023
 

Paintings by Carrie Jadus; Sculpture by Candace Knapp

Currently on view at Soft Water Gallery in St. Pete are Carrie Jadus’s Rorschach-inspired paintings for Open to Interpretation. The paintings (as per the title) encourage the viewer to come up with their ideas about what they mean.

From the gallery about the exhibition-

The series began as a direct result of the uncertainty surrounding the early period of the Covid pandemic. It has since become a much broader reflection on the human condition and the ways in which our individual points of view deeply influence the way in which we see the world. Though Jadus has made very specific artistic choices in the creation of the paintings in this series, the works are ultimately left to the viewer to experience and interpret on their own terms.

This exhibition is on view until 11/4/23.

Oct 202023
 

“Ybor’s Colonel”, Acrylic on canvas

The images above are from El Arte: Echoes of Cuba a group exhibition on view at Clearwater’s Main Library this past summer that included the work of Tampa Bay artist Lynn Rattray. The work is part of her ongoing project creating portraits of the Historic Ybor City chickens. Each work she creates includes a biography of the bird.

Information on Ybor’s Colonel from the exhibition-

“In 2016, a law was broken. In the dark of night, a dingy bedraggled rooster was dropped off in the streets of Ybor City. Thrown away by his owner, he had little chance of survival in the feral community and his future seemed bleak.

Fast forward: He ascended to become the superstar of Centennial Park. Soon stunning in both appearance and character, he was dubbed, The Colonel, and a group of diverse humans became his fan club. Our Colonel was the guardian of baby chicks and new mama hens, protecting the little families from danger. Now when this artist sits in the silence of the park, she still feels the magic of our Colonel and sheds a tear for a life well lived.”

More detail on the Ybor City chicken project from her artist statement-

…A portion of her portfolio is dedicated to the free roaming chickens of Historic Ybor City. “Why chickens”, you might ask. The history of these beautiful birds dates back to 1885, when Tampa’s cigar industry was first established by Vincent Martinez Ybor. Moving his industry first from Cuba to Key West, he ultimately rebuilt in Tampa. His hopeful workers brought their families, and their chickens, from Key West, dreaming of a new and prosperous future. When the Great Depression hit that same year, the economy crashed and the cigar factories shuttered their doors.

Forced to seek new opportunities, the workers moved on, leaving their chickens behind to fend for themselves. Having adapted to life on the streets, the descendants of those original birds proudly remain in Tampa’s Historic Ybor City, linking us all to that bygone era. It’s the descendants of these original chickens that Lynn paints. Having spent much time observing the chickens, it is each bird’s personality that she seeks to capture, as much as the likeness. Working hand-in-hand with Dylan Breese, founder of Ybor Chicken’s Society, and The Ybor Misfits Micro-Sanctuary, (@theybormisfits), a recently established 503(1)(c) non-profit designed to help sick and injured chickens.

This collaboration assures that each portrait reflects not only the likeness but more importantly, the personality of the bird.

Rattray has a studio in the Kress Contemporary building in Ybor City and it is often open to the public. There you can find more of her chicken portraits as well as see the other charming paintings she is working on. The image below is of her studio at last night’s Ybor Arts Tour.

 

Oct 202023
 

Chris Dyer “Optimystics Journey”, Acrylic

To celebrate the 9th year of the SHINE Mural Festival, Morean Arts Center is showing work by several of the artists who are participating. The center is also one of the places to pick up a guidebook for the festival with information on the artists and a map of the mural locations.

Artists in this show- Artist Jones, Chris Dyer, Hannah Eddy, Fabstraq, Hoxxoh, Rhys Meatyard, Sarah Sheppard, Michael Vasquez, and Andrea Wan.

This exhibition closes 10/26/23.

Artist Jones, “Lady Grace”, Acrylic and mixed media

Hoxxoh, “Ibis. One. Hurricane”, “Ibis.Two.Hurricane”, “Ibis.Two.Hurricane”, Acrylic on wood panel

Hoxxoh, “Ibis.Two.Hurricane”, Acrylic on wood panel

Rhys Meatyard, (clockwise), “Transmission”; “Dawn at the Edge of Infinity’; and “(Everything) Heeeere’s Sunny”, Mixed media

Hannah Eddy, “Make it last”, Acrylic and spray paint

Michael Vasquez, “Smurf”, Acrylic

Sarah Sheppard, “Enter Love”, Acrylic

Fabstaq, “No Rules” and “Freedom Hurts”, Acrylic

Andrea Wan, “Wonders” Ink and gouache on paper and “Inevitable Growth”, Ink on paper cutouts

 

Oct 182023
 

Keith Crowley “Longwood Run (Nocturne)”, 2019, Oil on linen (left) and “Mooring Fields (Twilight)”, 2021 (right)

Kenny Jensen, “I Didn’t Forget You (The Clearing)”, 2023 (left) and “I Didn’t Forget You (Papa’s Van)” 2023 (right)

Alison Tirrell “untitled (It’s all under control)”

Elizabeth Barenis, “The Creek Drank the Cradle”, acrylic on canvas

The Factory is a massive space in the Warehouse Arts District in St. Pete that houses numerous galleries and artist spaces, as well as the Florida Wildlife Corridor Foundation, Museum of Motherhood (MOMMuseum), Fairgrounds St. Pete, and Daddy Kool Records. This past Saturday (10/14/23) was Second Saturday ArtWalk and there was a lot to see. On this page and the ones that follow are some of the highlights.

In Studio B, a temporary gallery space, was the group exhibition Soft Spoken (images above), which included artists Keith Crowley, Kenny Jensen, Alison Tirrell, Elizabeth Barenis, Raheem Fitzgerald, Kate Cummins, and Alfredo Christiano. This show remains on view by appointment with the artists.

In The Factory’s gallery space was the group exhibition Medium (images below).

Oil paintings by Luke Vest

Laurent Waldron “Road Killer”, 2023, Latex and acrylic paint, rubber tire and “Last Rodeo” 2023, Acrylic paint, wirebrush frame

At the Florida Wildlife Corridor’s gallery space Wild Space is Mickett/Stackhouse Studio’s Circle of Water, a collection of paintings, drawings, and video by artists Carol Mickett and Robert Stackhouse continuing their explorations of environmental issues. This exhibition will remain on view until 1/13/24.

Work by Mickett/Stackhouse Studio– “Mitigation Paintings: Green Shade Oak, Whale Pump, Mangrove Family, Mangrove Sea Wall, Green Swamp, Green Swamp Aqua Feeder, Whale Pump & Plankton, Shade Oak”, Watercolor on paper

About the above by the artists-

Mitigation Paintings further explore the ways in which natural resources can help to remedy and even forestall the damages of climate change. The swamps, whales and trees depicted are all “carbon sink,” in other words they absorb CO2, among their other contributions.

Work by Mickett/Stackhouse Studio at Wild Space Gallery

Oct 142023
 

A flashback to earlier this year and checking out Juan Alonso-Rodriguez’s studio when he opened it for St. Pete’s 2nd Saturday ArtWalk. His studio will be open again for this month’s ArtWalk and is filled with all new and different work.

You can also check out his studio on Instagram.

Oct 122023
 

Cardboard sculpture by Richard Entel and his 5 year old daughter Emily; Photographs by Jane Housham

Jane Housham, “Color Squares”

Meryl Bennett, “Fountain 3”, epoxy resin

Sculptures by Richard Entel and his daughter Emily

Every autumn Dunedin Fine Art Center chooses a universal theme that runs through all of their galleries. This year they chose PLAY. It’s a wonderful choice and makes for a delightful time in the various galleries.  This is the last week to see two of the exhibitions- PLAY On!, a selection of wonderful artist made toys and toy related art (photos above), and LOL: Funny Papers, a juried selection of  art work incorporating comics, illustrations, zines and mixed media collage (photos below).

Catch both of these shows before they close on 10/15/23.

Barbara Hubbard, “Quantum Entanglement #5”, print collage/hand colored

Cory Robinson, “Just a Reminder”, spray paint and acrylic (left); and Cort Hartle “You’ll Come Back to Haunt You” acrylic, and “We were running hand in hand”, ceramic

Michael Crabb, “Spaceman Spiff”, mixed media

Kaitlin Crockett/ Print St. Pete, “Rizo Zoo” and “Welcome to My Adult Life” risograph zines; Denis Gaston, “Fear of Flying”, book

Yhali Ilan, “Meanwhile”, acrylic

Corey Robinson’s work can also be found every week in the Creative Loafing Tampa Bay newspaper.

Print St. Pete, founded by Kaitlin Crockett and Bridget Elmer is a small community letterpress and risograph printshop which offers studio access, workshops, and custom printing.

Oct 072023
 

Emiliano Settecasi, “Baby Blue Blowers”, 2023, faux fur, metallic fringe, box fans, wood

Jessica Caldas, “I come honouring your power (Clytemnestra)”, 2023, house linens, poly fiber fill, house patterned quilt, fabricated structures from gifted furniture, fabric wallpaper, found and embellished light fixture

Saumitra Chandratreya, “Throne”, 2022, Cyanotype on sateen, hand embroidery

Touchy/Feely at Hillsborough Community College’s Gallery 221 in Tampa has a lot of great interactive (and non-interactive work) on view. The three artists in the exhibition- Jessica Caldas, Saumitra Chandratreya, and Emiliano Settecasi– have contributed work that explores important themes while also adding an element of fun by allowing the viewer to become actively involved in the show.

The Curatorial Statement by Alyssa Miller-

Art touches you, and sometimes you get to touch it back. Challenging conventional gallery manners, Touchy/Feely encourages visitors to assume the role of participant by handling and manipulating several of the works on view. Contemporary fiber artists disrupt the long-held distinction between art and craft, blending the conceptual with the experiential in a highly tactile medium. In Touchy/Feely, artists Jessica Caldas, Saumitra Chandratreya, and Emiliano Settecasi go one step further in collapsing the space between artist and viewer, exploring themes of labor, motherhood, relationships, conscious choice, and joy through fiber art that both holds and is held.

So much of art and history is exhibited at a distance, close enough to see but never touch. Whereas engaging with the nature of textiles can be familiar, exciting, and sensational. Combinations of art and cloth have a long and fraught history within contemporary art, such as the novelty of interactive exhibitions that can become a commodity in contemporary museums. Ogled and beaten become the play spaces, tarnished and brassy the sculptures, worn and bruised the forms become overtime through the nature of interaction. Touchy/Feely aims to be a space in between museum rules and contemporary art photo-ops. Here, artists display a mix of interactive and static artwork that exemplifies intense feeling, encouraging the viewer to make decisions in real time, and submerge themselves in something they did not expect.

Ultimately, this exhibition satisfies my urge to explore, manipulate, caress, and experience art in a way not many individuals are able to do. In working behind the scenes, I am allowed to safely satisfy my interest in exploration. I will forever be grateful to the HCC Art Galleries team for their dedication to students, staff, and artists for this exhibition and the work they do year-round. I hope that visitors come away from this exhibition with a new experience, perspective, feeling, or sensation.

This exhibition closes on 10/12/23.

Jessica Caldas, “A name can be in a lot of places at once (Helen)”, 2023, house linens, crochet, fabricated structures from gifted furniture, polymer clay, yarn, polyfiber fill, fake pearls, and ceramic

Emiliano Settecasi, “Neon Green Furry Shelf”, 2023, faux fur, plywood, metal brackets; “Hand Bags (Purple)”, 2023 velvet Velour, polypropylene pellets; “Inman Ottoman”, 2023, ottoman reupholstered with vintage fabric that matches family chairs; Hand Bags (Merlot), 2023