Feb 202023
 

Pictured L to R: Peter Cotroneo, Alexander Nixon (foot), and Joshua Haddad

Pictured: Molly Evans (sketches installation) and Kendra Frorup

Pictured L to R: Chris Valle; Emma Quintana and Rick Hanberry; Joseph Scarce

This is the last week to check out the Art+Design Faculty Exhibition at University of Tampa’s art gallery, Scarfone Hartley. It’s a wonderful chance to check out the talent that is teaching at the school as well as some impressive work.

Artists included: Jaime Aelavanthara, Peter Cotroneo, Molly Evans, Kendra Frorup, Corey George, Jennifer Guest, Joshua Haddad, Ry McCullough, Samantha Modder, Alexander Nixon, Eric Ondina, Angelina Parrino, Emma Quintana, Joseph Scarce, and Chris Valle.

Below are more selections from the exhibition-

Jan 312023
 

Pictured at the top is local artist Van Der Luc’s mural for the 2022 edition of SHINE Mural Festival in St. Pete.

He is one of the artists at The Studios @5663 in Pinellas Park. It’s a great place to see what local artists are making and working on.

On the fourth Saturday of the month Pinellas Arts Village hosts a block party with vendors, open galleries and studios, crafts, live music, and food. It’s a fun event that offers the opportunity to check out what local artists are working on.

Jan 212023
 

This mural was created by Florida artist Danial Ryan. For more of his unique artwork, mostly featuring cats, check out his Instagram and Etsy shop.

Dec 162022
 

“Themes for a Left-Handed Pitcher”, 2021: “Still Life with Left-Handed Pitcher (04-06)”, 2021. serigraphy, pochoir, collage, acrylic ink, gouache on paper; “Left-Handed Pitcher Still Life (II)”, 2021. particle board, acrylic ink, concrete, polymer clay; “Perfect Games (Theme for a Left-Handed Pitcher)”, 2021. projected sound from single speaker. 9:00 min. (infinite loop)

While at Dunedin Fine Art Center to hear Ry McCullough’s talk, I was reminded of seeing this work at the USF Contemporary Art Museum last year as part of Skyway 20/21: A Contemporary Collaboration. The discussion was great and touched on a lot of interesting topics, especially around his use of collage.

From the gallery’s wall plaque about Themes for a Left-Handed Pitcher–

Inspired by the perfect game Los Angeles Dodgers’ pitcher Sandy Koufax threw against the Chicago Cubs in 1965, Themes for a Left Handed Pitcher engages compositional fielding of the domestic pitcher and black and white balls in a callback and comparative dialogue between sculptural objects and works on paper. Inviting playful and participatory discovery, the project includes an amplified palindromic sound score and a zine, which are both available to download. Interspersed with abstracted baseball references, the project evokes a change-up between the fabricated and found forms, the known and the unknown.

On McCullough’s website you can find the downloadable zine and the audio file mentioned in the description above and its a chance to check out more of his impressive collage pieces. For his most recent work, also check out his Instagram.

In addition to his independent practice, he is part of the collaborative project, small_bars, with artist Nick Satinover.

From the small_bars information page about the project-

Within their collaborative practice they explore the structural authority of their band name moniker, small_bars. This ambiguous name serves as an all-encompassing banner which simultaneously referencing pixels on a screen, lines of type of a letter press, halftone processes, and the physical clubs and venues their former bands played. As small_bars, McCullough and Satinover are able to generate a collection of collateral materials such as audio recordings, videos, printed ephemera, performative events, and structural arrangements, all of which support and expand the notion of what the moniker suggests. This collaborative effort seeks to use the form of a band-like entity to create a space where the acts of publishing, printing and performance co-exist.

 

May 282018
 

Currently at Palm Springs Museum of Art is Andy Warhol: Prints from the Collections of Jordan D. Schnitzer and His Family Foundation. Taking up the majority of the first floor of the museum, the exhibition includes many of his well known prints as well as several of his illustrations from his early graphic design career, a few of his Screen Tests (including Edie Sedgwick’s), his album covers, and a short documentary created for the museum with local residents who knew the artist.

This exhibition closes 5/28/18.

Mar 052016
 

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Currently at Gavlak Gallery are Bovey Lee‘s amazingly detailed rice paper works for her solo exhibition Divertical.

From the press release-

Taking inspiration from the overwhelming nature of a cross-country move, the works are predominated by a motif of rollercoasters winding their way throughout the pieces and often forming the perimeter of the cuttings. The title of the exhibition itself takes its name from an actual rollercoaster, the world’s tallest water roller coaster located in Italy. Embedded within each work – contrasting with the chaos of the rollercoaster and the natural and urban elements that fill the work – is evidence of a small balancing act, depicted in the form of a tightrope walker, an acrobat, or a surfer carefully balanced on his board. Speaking to the motivation for her move, the works also feature imagery associated with romantic relationships – wedding bouquets, engagement rings, cakes, and eternity symbols populate the pieces.

In the front of the gallery is Amy Bessone‘s In The Century of Women, a combination of sculptures and prints concerned with the female image. The large bronze and ceramic sculptures contrast the female torsos on pedestals with the large pipes on the floor that perhaps suggest the male onlooker. The prints on the wall are “based on discarded images of divorcées from newspaper archives, dating from the 1930’s-1970’s.” They invite viewers to imagine narratives for these women who in certain instances stare out at you from their moment in time.

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Both of these exhibitions close 3/5/16.

(images courtesy of Gavlak Gallery)

Jun 082014
 

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Today (6/8/14) is the last day to see Jacob Hashimoto’s stunning Gas Giant at MOCA Pacific Design Center. Thousands of paper sculptures in color and black and white (on the first floor) combine to create the feeling of walking into another world.

From the artist’s website about the work-

In its third and final edition at MOCA Pacific Design Center, Gas Giant begins its voyage subverting the grid of the white cube on the first floor by tangling the black and white elements of the installation while directing the viewer to the second floor, where an open, atmospheric, and colorful emphasis on the verticality of the space is the climax of the piece. Influenced by ample sources that range from sacred architecture, post-war abstract painting, the Light and Space movement from the 1960s in Southern California, and the 1990s generation of Los Angeles painters, Hashimoto expands painting and collage strategies in an ongoing exploration of abstraction and landscape through color, repetition, association, and even simple marks and gestures that when combined together, result in the infinite layers of complexity that characterize his work. Becoming a mirror of human experience, Gas Giant is a metaphor of possibility and temporality—the viewer encounters the beauty of an encompassing landscape, through vastness and detail in equal manner, but also with the idea of loss, since the work also reflects on the intensity of human labor in its creation, and considers the temporality of the viewing experience, and of the piece itself. This exhibition marks Hashimoto’s first solo museum exhibition in California.