Dec 172022
 

“Tower, Houston”, 2020

“Tower, Houston”, 2020 (closer look)

“City Square at 4 am (Palazzo della Civiltà Italiana, Large Version)”, 2020

“Midtown, NYC”, 2020

The paintings above are from Daniel Rich’s 2020 exhibition at Miles McEnery Gallery in NYC.

From the gallery’s press release-

Daniel Rich’s reticulated cityscapes and slick façades appear at first glance to be quite literally superficial. Whether it is a geometric exterior pressed close to the picture plane or a cluster of multiple structures glimpsed from a distance, we experience architecture in his painting as a wholly exteriorized phenomenon— looming close up or made smaller through a bird’s-eye view.

His process-oriented paintings offer windows to different parts of the world— some figuratively, others much more literally—and can evoke a distorted experience of temporality for the viewer. Like compositions by Bernd and Hilla Becher or Andreas Gursky, Rich’s artworks offer clinical, complex architectural views onto the world that are filled with subtleties. However, Rich differs from Becher or Gursky in his painstaking, intricate process of translating found images into painting. The works also evoke early 20th century European Modernism, recalling Giorgio de Chirico’s metaphysical cityscapes and Germany’s Neue Sachlichkeit (New Objectivity) artists of the 1920s and 1930s.

Architecture, as it is commonly understood, is designed and implemented to house the human and is itself the manifestation of our constructed realities. When all signs of life are missing from buildings and spaces, as in Rich’s paintings, the result is an unsettling subversion that upends and questions what we have come to expect of both architectural spaces and the organized linearity of time. Rich probes viewers to consider what lies beyond the surface.

Rich also uses his anonymous architectural imagery to talk about history and politics. He speaks of his scenes as “failed utopias” and “changing political power structures.” In their seeming permanence, the fixed and rigid edifices that populate his work speak to a late capitalist urbanism that sees its monuments not as contingent, but as immovable and eternal.

His newest paintings are currently on view at the gallery for his exhibition Flat Earth on view until 1/28/23.

Dec 142022
 

Orange Tree

One Line That Connects Us

Orange Tree by Angela Warren is one of several of her works currently located at the Fenway Hotel in Dunedin, Florida. Organized by Creative Pinellas, Beyond the Walls 2022 places Pinellas County artists in several different hotels in the county.

Warren is also part of Arts Annual 2022 at the Creative Pinellas Gallery. For this exhibition she created the interactive work shown above, One Line That Connects Us.

From her Instagram about the work-

Last summer I took some time to brainstorm this work. I wanted to do a piece that would engage people in the gallery and encourage others to participate in creating. My idea/the concept is that we are all literally connected with one line, there’s so much that divides people but art is a way to connect us together! 💜

One Line That Connects Us:

This is an interactive art piece.

This year was hard. The recent hurricane Ian, the pandemic, various wars…these things pushed us further and further away from each other. It’s time to come back together!

During the 2022 Arts Annual opening on November 11th, I invite friends to have their portrait drawn by me in a “blind contour” style. If guests are feeling extra brave and want to take a turn, it is highly suggested!

The two rules are, no looking at the canvas, and no lifting your marker. This allows for an intimate interaction between the drawer, and the drawee. Once there are a good “community” of drawings, we can fill in each others portraits.

The picture above is from one of the earlier days of the piece. Check out her Instagram for more updated shots or better yet, see it at the gallery.

Tomorrow, 12/15, Creative Pinellas is having a party to celebrate the exhibition, from 6-9pm. It’s a great way to experience the show and meet the artist participants.

 

Dec 132022
 

“Thru” by Jessi Sherbet and “Remi” by Mia Makes It (sculpture on the right)

“Untitled” low fire ceramic by Mike Cannata

There were so many great artists showing work at the group of galleries in the Kress Building in Ybor City, this post needed to be split in two. For part one, on Tempus Projects’ three spaces, head here.

Quaid Gallery is an artist cooperative gallery founded by a group of Tampa artists and is focused on contemporary artists creating mixed media exhibitions. In addition to monthly curatorial projects, they are planning to host events which will include readings, drawing nights and film screenings. Liquid Snow is their current exhibition and included the artwork pictured above by Jessi Sherbet, Mia Makes It, and Mike Cannata.

Parachute Gallery is showing One and Only · يكتا , which centers around the project Green Wedding by Fort Myers, Florida-based Iranian artist, Leila Mesdaghi.

From the website’s description of the project-

In late 2021, Mesdaghi traveled to her childhood home in Tehran, Iran, to throw herself a wedding, sans partner. She writes, “As a child I had dreams about getting married and having a wedding in our house. An Iranian wedding is a heavily glamorized and festive event where the bride is treated like a princess and guests come celebrate and admire her with gold and jewelry. I decided to have a wedding for myself. I made my dress at a high-end fashion boutique, bought a beautiful gold ring with my dad’s money, hired Maryam Saeedpoor (a well-known photographer,) a hair stylist, played Persian wedding music, and had a few friends plus my aunt and uncle as my guests.”

Documentation of the ceremony—a series of six limited-edition portraits by Saeedpoor and a collaborative video piece with director Khashayar Khalilkhani and vocalist Mahboubeh Golzari, reciting a poem by Iranian poet Houshang Ebtehaj about love and longing—beautifully articulates the complex emotions behind the project.

The photos and dress are seen in the image below, along with the work of six regional and national artists whose work ties into this project thematically. These artists are Sharareh Allahyari, Jordan Blankenship, Golbanou Moghaddas, Pottery Boys – Glenn Woods and Keith Herbrand, and Rebecca Stevens.

Tampa artist and photographer Jenny Carey has opened a new space, Gratus, which is currently showing her work. She also had her book, All I See Is Your Glinting: 90 Days in the Pandemic, which she created with Gianna Russo, the inaugural Wordsmith of The City of Tampa, available for sale.

For more of Carey’s work and to see what’s next for the gallery, check out her Instagram. She also founded Creatives Exchange, a collective of professional women artists in Tampa.

Finally, Department of Contemporary Art Tampa, FL, once a week for three weeks is hosting a mystery local artist. During the event the artist of the evening was revealed as Selena Ferrer. This week on 12/15/22, the last artist will be revealed. Also check out the gallery’s Instagram for updates.

Dec 132022
 

“The Great Mother Text, Papaya and Pearls” and “Frozen Conch” photographs from Cristina Molina’s “The Matriarchs” series

Painting by Eric Ondina

“Here, Together” Photograph by Amber Bernard

It was an exciting night for art this past Thursday in Ybor City, Tampa, as several spaces opened their doors in the Kress Building.

Tempus Projects now has three spaces in the building. In their main gallery was KARST GROUNDS ::QUATRO SUNISTRA, the fourth iteration of their annual open call exhibition exploring “the sinister side of the Sunshine State”. The work varied in medium, and included painting, photography, and sculpture.

From their website-

The exhibition title is a portmanteau of “sunshine” and the Latin word “sinistra”—the forebearer of the English word “sinister” which retains some of its original connotations of something that is harmful and inauspicious. The play on words reflects the often idyllic/nightmarish dichotomy Florida embodies in its natural, social, and political climates. This serves as a thematic jumping-off point for the exhibition’s applicants as the artists investigate this peculiar state through their diverse perspectives and unique approaches.

In their Tempus Volta space was Beneath the Mistletoe Screaming, a group exhibition and holiday shop with lots of great affordable art, with most pieces ranging from $5 to $500.

View inside Tempus Volta

Paintings by Alex Torres

Paintings by Lynn Manos

Drift, is Tempus Projects’ independent curator’s space (seen below). On Thursday they were showing and selling work from various artists.

All three spaces were showing strong work. Make sure to check out Tempus Projects’ Instagram for updates on the galleries.

 

Dec 032022
 

Study for Milltown Icon, 2003

Dunedin Fine Art Center is currently showing three exhibitions based on the theme of Architecture. The images above are from Rust to Rust: Janos Enyedi and the Architecture of Industry. The work combines painting, photography, and sculpture. Parts of his work appear to be metal but are actually constructed using illustration board. His creations are an impressive exploration of the fading industrial landscape of America’s Rust and Steel Belts.

Janos Enyedi’s discussion of his work in 2009 (from the gallery’s wall information)-

“While I have a special affection for industrial landscapes, it is not industry itself that captures my imagination. What draws my attention is the simplicity and directness of the industrial architecture and the elements that support it.

Nowhere else is the Modernist tenet “form follows function” as explicit. The realm of industry is filled with large iconic shapes- water towers, smokestacks, complex steel structures, monitor roofs, images that we all know.

Most people, if they bother to look at industry at all, see large, dirty hulks. I see other things. There is an old saying, “The Devil is in the details”.

When it comes to industry, I see “Angels” in the details. I see I-beams and angle iron and the shadows they cast on corrugation: torch-cut edges, the staccato of rivets, the patterns of safety plate and rust- always the rich, amazing and beautiful patina of rust.”

The exhibition also includes works that allow you to see a bit of his creative process, including some of his sketches.

Also on view is We Built This City, a multi-media exhibition of work that “investigates the connection between Architecture and Music- conceptually, loosely, physically-poetically”.

Paula Scher– You Me

Vanessa Diaz– Decadent Ledge

The third exhibition Carol Sackman and Blake White: The Mosaic House of Dunedin, includes bright and colorful mosaic work borrowed from their famous home.

All these exhibitions are on view until 12/23/22.

Dec 022022
 

The Divided Cell (paravent), 2015, by William Monk, part of his exhibition, The Cloud is Growing in the Trees at Kohn Gallery in 2015. This was the artist’s first exhibition in California.

From the Kohn Gallery’s press release-

…This exhibition is the culmination of Monk’s practice over the last few years during which time he has created universes within his paintings that reflect on the relationship of the object and spectator.

In Monk’s paintings a sense of repetition breaks down the figuration, creating visual mantras in which the human scale of the work increases this subtlety rather than amplifying the model. This rhythm happens throughout Monk’s work, surrendering figurative logic to arrive at something stranger and more powerful. Beautifully atmospheric and energetic, these paintings invite a more direct physical connection, drawing in the space between our inner and outer realms of experience.

The artist’s unique relationship to image and paint lead him to enigmatic subject matter such as forests, galaxies, and the open road. The Cloud is Growing in the Trees underscores this mysterious, almost psychedelic relationship that invites the viewer in as an active participant.

Monk is now represented by Pace Gallery and will be part of their booth at Art Basel in Miami. You can find more of his work, including what is at Art Basel, on Instagram.

 

Nov 212022
 

Florida CraftArt Festival 2022 was this weekend in St. Pete and there were many great artists showing their work. One of these is ceramic artist William Kidd.

From his website about his work-

Inspired by the beauty found in the natural world, my work is not an imitation of any real living thing, but rather life forms that might exist in some other worldly place. Microorganisms, fungi, seeds, cacti, and sea life have been observed in great detail which have inspired me to create these “organic possibilities”.

Using a potter’s wheel and various hand-building techniques, my work is produced solely by myself in my studio. My clay of choice is a low-fire red earthenware clay which is then finished using oxide stains, underglazes, and my signature crawl glaze to create a rich textural, colorful surface that is unique to my work.

I have a sincere passion to create objects with clay and this energy radiates from within me into the work I produce.

Along with his website, you can also see Kidd’s work on his Instagram.

If you are in the St. Pete area, Florida CraftArt is a great place to find and purchase unique work created by artists from Florida.

Nov 172022
 

Verve Supreme by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington

The Blue Book of Love & Longing by Neverne Covington (closer)

The Book of Remembering and Forgetting by Neverne Covington

The Book of Remembering and Forgetting by Neverne Covington

Currently at the Creative Pinellas Gallery is Arts Annual 2022. Creative Pinellas invited past Professional and Emerging Artist Grantees to participate in the show, which celebrates the work of local artists. Many of the works from the show are also available for sale.

For more on artist Neverne Covington, whose work is above, here is a bit more information.

This year the following artists are included in the show-

This exhibition is on view from November 11th through December 31st, 2022. It’s a great way to see some of the best artwork being made by local artists in Pinellas County.

A selection of some of the work on view is on the pages below, but all of the work is definitely worth checking out.

Oct 132022
 

This is the last weekend to see Jason Hackenwerth’s exhibition DARKMATTER at Creative Pinellas in Largo, Florida. It includes the two giant balloon sculptures shown above, as well as several of the artist’s paintings and drawings.

To hear the artist discuss his work, and see more views of the sculptures and artwork in the gallery, check out this video.

This weekend is also Third Saturday at Pinewood (Creative Pinellas, Florida Botanical Gardens, and Heritage Village). For this event Hackenworth will be leading a family arts workshop where he will be teaching visitors how to create sculptures from balloons.

DARKMATTER closes on Sunday, 10/16/22.

Sep 182022
 

Unity, was created by Hank Willis Thomas in 2019 as part of the Department of Cultural Affairs Percent for Art Program. The 22.5 foot sculpture is a replica of NBA player Joel Embiid’s right arm.

From the artist on the work (via Downtown Brooklyn)-

“The sculpture is an homage to and celebration of the unique and multi-faceted character of the borough of Brooklyn. The spirit of Brooklyn has always been about upward mobility and connection to roots. The large-scale sculpture of a bronze arm pointing toward the sky is intended to convey to a wide audience a myriad of ideas about individual and collective identity, ambition, and perseverance”.

Thomas will be speaking with UCLA professor and author Robin D.G. Kelley today (9/18/22) at 2pm The Broad Museum about his art practice, his activism, and his piece in the museum’s current exhibition, This is Not America’s Flag.

The program will be live-streamed on The Broad’s website and their Facebook page.