Pennsylvania Art Shows- “MOUTHFUL” at Vox Populi in Philadelphia

 Art, Art Shows by Location, Artists, Conceptual Art, Installation Art, Mixed Media, Pennsylvania Art Shows, Philadelphia, Printmaking, Sculptors / Sculpture
Jun 112026
 

Mona Gazala, “Place and Power”, Broken concrete slab, paint, 2024

Closing this weekend, MOUTHFUL, a group exhibition at Vox Populi in Philadelphia, features a unique mix of works exploring aspects of language.

From the gallery about the exhibition:

MOUTHFUL brings together artists working with, around, through, against, beneath, within, alongside language. Featuring over 15 artists engaging a diverse set of techniques and media, the exhibition situates key archival pieces beside new and contemporary works: flags, impossible shots, concrete slabs, worksheets, disco on repeat, and many holes.

MOUTHFUL unearths echoes, rhymes, and dissonances across the past 50 years of cultural production. How and why do artists continue to turn to language as material? How and why do writers continue to turn towards visual practices to investigate language?  What sound does meaning make? What shapes do our mouths take? Curated by Vox Populi’s director, Blanche Brown, MOUTHFUL picks up these familiar questions and shakes them out: see what falls though May 1- June 14th 2026

Featuring: Robert Carey, Theresa Hak Kyung Cha, China Rain Chung, Logan Cryer, Catia Colagioia, Jordan Deal, Lucia Garzón, Mona Gazala, Rachel Hsu, Tan Lin, M Slater, Lea Devon Sorrentino, Cecilia Vicuña, Eva Wu, Connie Yu, Janet Zweig

Janet Zweig, “Mind Over Matter”, 1993, Computer, printer, paper, rock, rope, pulleys, basket

From the label for Janet Zweig‘s Mind Over Matter, pictured above:

The computer was fed three sentences:

I think therefore I am – Descartes

I what I am – Popeye

I think I can – The Little Engine That Could

It randomly generates sentences from the parts. Text slowly lifts rock.

Rachel Hsu, “Fetch the Moon from the Seabed（海底撈月)”, Inkjet prints on kozo, two from series

Pictured are two prints from Rachel Hsu‘s Fetch the Moon from the Seabed（海底撈月), a series that was on two walls of the gallery. Click on the image to enlarge.

Written on the information card beside the work:

Fetch the Moon from the Seabed（海底撈月), a long-form poem, investigates yearning and migration through language and translation. Taking the form of a Chinese language-learning workbook, the poem reveals the emotional and physical exertion that speaking a second language and cultural assimilation requires.

Logan Cryer, “How I Understand It All”, 2021-2026, Retired family basketball backboard

The words on the tape read: “If I turn around and speak by showing the back of my head, I am honestly telling you how I understand it all”.

 

Pennsylvania Art Shows- “Some American Dreams” at The Fabric Workshop and Museum in Philadelphia

 Art, Art Shows by Location, Artists, Ceramic Art, Collage, Conceptual Art, Drawing, Fiber Arts, Installation Art, Mixed Media, Painting / Painters, Pennsylvania Art Shows, Philadelphia, Photographers / Photography, Printmaking, Sculptors / Sculpture
Jun 102026
 

Donald Lipski, “Who’s Afraid of Red, White and Blue #37”, 1990, White wool gabardine, made in collaboration with The Fabric Workshop and Museum

Rose B. Simpson, “Tonantzin”, 2022, Linen, cotton, clay, and thread, made in collaboration with The Fabric Workshop and Museum

(L to R) Rev. Howard Finster, “George Washington Meets Martha Custis, 1984, Pigment on cotton t-shirt; James Luna, “High Tech War Shirt”, 1997-98, Smoked hide, nylon setting, silk suiting, horse hair, metal, shell buttons, bead work with watches and necklace (shell, thermometer, and plastic toys); Hock E Aye VI Edgar Heap Of Birds, “Who Owns History”, 1992, Pigment on cotton t-shirt (all works made in collaboration with The Fabric Workshop and Museum)

S.A. Bachman, “Are You Telling Yourself A Little White Lie?”, 1988, Edition of 5, Halftone photographic silkscreen pigment on nylon, made in collaboration with The Fabric Workshop and Museum

Pictured are just a few of the many excellent artworks currently on view in Some American Dreams at The Fabric Workshop and Museum in Philadelphia. Exploring the concept of America and the American dream, all the works were created by an impressive list of artists who were Artists in Residence at the museum over the past four decades.

From the museum and curator Hilde Nelson:

In her 1986 essay “Waking Up in the Middle of Some American Dreams,” poet June Jordan calls for a multiplicity of American dreams rather than a singular paradigm. For Jordan, those in pursuit of these dreams include:

the white people the black people the female people the lonely people the terrorized people the elderly people the young people the visionary people the unemployed people the regular ordinary omnipresent people who crave grace and variety and surprise and safety and one new day after another.

On the occasion of the 250th anniversary of the U.S. Declaration of Independence, this presentation of works from The Fabric Workshop and Museum’s collection explores the complexity of American-ness through lenses of history, memory, and mythology. Made by past Artists in Residence in collaboration with the FWM Studio, the projects reimagine symbols of nationhood and belonging, critique ongoing legacies of inequity, and offer expanded visions of kinship and community.

The works on view represent four decades of making at FWM. They meditate on themes including indigeneity and race, alternative origin stories, landscape and the environment, the construction of historical narrative, memory and resistance, and images of cultural affiliation. Sections of the exhibition invite additional voices, drawing their titles from a chorus of American poets, songwriters, essayists, abolitionists, and historians.

The artists featured in Some American Dreams break down borders and categorical distinctions to propose a polyphony of American dreams shaped by hybridity, friction, and affinity. They ask: what if America is not one project, but many? And how might these Americas be affirmed, resisted or remade, in Jordan’s words, to envision “one new day after another?”

This exhibition closes 6/14/26.

Delaware Art Shows- University of Delaware Master of Fine Arts Thesis Exhibition at The Delaware Contemporary in Wilmington

 Art, Art Shows by Location, Artists, Ceramic Art, Collage, Conceptual Art, Delaware, Fiber Arts, Installation Art, Mixed Media, Painting / Painters, Photographers / Photography, Sculptors / Sculpture, Wilmington
May 272026
 

Works by Zoe Elwood

MFA candidates Tim Carr, Ryan Dittmar, Zoe Elwood, Rebecca Giles, Arizol Mendoza, Alyssa Rose Pirolli, and Nasir Young are currently showing their work at The Delaware Contemporary for the 2026 University of  Delaware Master of Fine Arts Thesis Exhibition. The show will be on view until 5/31/26.

The sculptures pictured above are part of  Zoe Elwood‘s installation.

Information from the museum about the artist:

Zoe Elwood (they/them) is an interdisciplinary artist from central Utah, currently based in Newark, DE, as they pursue an MFA in sculpture at the University of Delaware (UD). A self-proclaimed “sculpture convert,” the thesis exhibition for their BFA in painting & drawing (Utah Valley University, 2023) featured numerous assemblages of found objects, and one painting. The language of their practice continues to involve all things patinated, favoring the strange familiarity of those that remind of the home. Through such materials Elwood interrogates heteronormative notions of domesticity and discusses queer identity formation within intimate, intolerant spaces. Elwood is a current DELPHI Fellow at UD’s Center for Material Culture Studies and has been the recipient of several other honors, including the Dianne Komminsk Scholarship.

Below are more works from the exhibition and some information provided by the artists and the museum.

Paintings by Nasir Young

Nasir Young (B.1995, Philadelphia,Pa) received his BFA from Pennsylvania Academy of the Fine Art in 2021; and is currently a MFA candidate at the University of Delaware(2026). Young is currently represented by Gross McCleaf Gallery in Philadelphia and had his first two solo shows at the gallery. He has had a multitude of group shows along the east coast. Awards he has received range from was The Raymond D. & Estelle Rubens Travel Scholarship; two illuminate arts grants; an Elizabeth Greenshields grant; and was the second-place winner of the Philadelphia Sketch Club 158th exhibition of small oils. Young was an artist in residence at Davinci Art Alliance Resident; Delaware Contemporary and upland Vermont. Nasir’s primary source of imagery is the everyday scenes of urban inner city life influenced by the shared visual language between places.

Photo Collage work by Ryan Dittmar

Ryan Dittmar is a photographer currently collaging images onto metal forms. His work focuses on memory and what happens to it when it is lost. Dittmar first started with photography in his undergraduate studies at SUNY Oneonta. He examines the ties that photographs have to memory, examining what happens over time when memory fades but the image remains.

Through the process of photography and collage, I collect memories with the camera and re-work the memories with my exacto knife. Steel sheets become the settings for these new scenes to exist. They represent a place in my mind, an open area in which memories are allowed to be reconstructed on. At its most simplest ingredients it is steel, and photopaper. Together these forms create the liminal space that is what I call the void. The place in between presence and memory.

Paintings by Rebecca Giles

Rebecca Giles is a painter who earned her BFA from the Pennsylvania Academy of the Fine Arts. Her paintings focus on photosynthesis and plant cellular structures. She is especially interested in artificial photosynthetic systems. Giles is inspired by microscopic plant life. She has a light microscope in her art studio, and she paints pictures of what she sees through her microscope. She uses her microscope as an art tool to investigate light and color. Giles wants viewers to experience a feeling of overwhelming awe at the incredible vastness of the miniature worlds found within nature. She calls this feeling of awe the microscopic sublime.

Sculptures by Tim Carr

Tim Carr earned his BFA with a concentration in ceramics from Tyler School of Art and Architecture at Temple University in 2024. He is currently pursuing his MFA at the University of Delaware. Much of his practice centers on utilitarian ware, which he expands to engage with personal and conceptual themes, using clay as a metaphor for culture, folklore, and narrative storytelling. Throughout a decade of working with ceramics, his artistic journey began in the communal studios of the Chester County Art Association, where he first developed foundational skills in the medium. His early years at Alfred University deepened his fascination with functional tableware and refined his approach to utilitarian ceramics, with a particular focus on mastering wheel throwing.

Paintings by Alyssa Pirolli

Alyssa Pirolli is a visual artist from New Jersey and is currently an MFA Candidate at the University of Delaware. She attended private art lessons with artist Rebecca Tait at the Studio of Glenn Gables in Laurel Springs, NJ before continuing her training in Philadelphia. Pirolli received her BA from Chestnut Hill College and a Certificate from the Advanced Fine Art Program at Studio Incamminati. Her work is focused on exploring ‘the self’ and the human condition, primarily through portraiture. Community, especially the one she has come to know while pursuing her studies in Delaware, has become a driving force in her current body of work.

Sculpture by Arizol Mendoza

Arizol Mendoza (she/her/hers) is a Mexican-American sculptural ceramic artist born in New Jersey, USA. She obtained her B.A. in Art in 2018 from Rutgers University with a Minor in Psychology and is a current MFA candidate at the University of Delaware (2026). Mendoza began her ceramics career in 2015 while studying at Raritan Valley Community College (Branchburg, NJ). Originally concentrating in Graphic Design, she discovered that the plasticity and physicality of clay— combined with her existing interest in abstract forms opened a door to exploring ceramics as a medium for translating her visions into tactile, three-dimensional forms. Her earlier works explored personal narratives and storytelling through organic forms.

Delaware Art Shows- Oscar Eduardo de Paz at Chris White Gallery in Wilmington

 Art, Art Shows by Location, Artists, Delaware, Mixed Media, Painting / Painters, Wilmington
May 202026
 

“The Shape of What Remains”, 2026, Casein, Painted Paper, and Shopping Bag Paper

“Cocooned Reflection”, 2025, Casein, Collage, Blackout Poem,and Acrylic Mediums

“We Learn to Be Guarded”, 2026, Casein, Collaged Drawings, Found Objects and Acrylic Medium

“We Learn to Be Guarded” (detail)

For An American Son, Oscar Eduardo de Paz‘s solo exhibition at Chris White Gallery in Wilmington, he has created a series of works that capture moments from his life growing up as an American born to immigrant parents. The addition of collaged poems and objects adds textures to the paintings that draw the viewer in, while his focus on hands emphasizes the commonalities in his experiences.

From the gallery-

An American Son presents a powerful new body of work by Oscar Eduardo de Paz, tracing his journey from childhood poverty to fatherhood, community, and artistic emergence.

Through his Poetic Symbolic Representation (PSR) approach, de Paz layers figures, objects, archival fragments, and lived memory to reveal how American systems, poverty, policing, immigration, education, and care, shape a life. These paintings move between personal testimony and collective history, offering an intimate and compelling account of American experience through one son’s eyes.

The gallery is hosting a closing reception this Friday evening, 5/22/26, from 5-8pm.

Delaware Art Shows- Kira Krell at the Mezzanine Gallery in Wilmington

 Art, Art Shows by Location, Artists, Delaware, Fiber Arts, Mixed Media, Painting / Painters, Sculptors / Sculpture, Wilmington
May 062026
 

Detail from the center work in the image above

In Stone Formations, Kira Krell‘s exhibition at the Mezzanine Gallery in Wilmington, her large multilayered paintings and smaller delicate sculptures find a cohesive balance, much like the natural formations that inspired them.

From Mezzanine Gallery and Delaware Division of the Arts-

Stone Formations is a solo exhibition by Kira Krell that guides viewers from volcanic deserts to beautiful coastlines. Through diverse geological imagery, and weathered forms, the work traces place and time, evoking memory, endurance, and the lasting presence of landscapes once called home.

Krell’s process begins by layering sand, plaster and earth pigments to create relief-like texture paintings. Adding, subtracting, and distressing these elements is necessary to achieve surfaces that appear weathered and time-worn, in pursuit of capturing geological structures: Stone Formations. Intricate details are revealed through dry brushing and mark making techniques, using acrylic and pencils. Fascinated by natural forms and their portrayal of permanence and strength, the artist offers an impression of steadiness and belonging. This acts as a counterpoint to our fast-paced, ever-changing world. Krell invites viewers to take a moment to pause, breathe and reflect on our beautiful world.

The exhibition will be on view until 5/29/26.

Delaware Art Shows- “Constellations of Belonging” at The Delaware Contemporary

 Art, Art Shows by Location, Artists, Ceramic Art, Collage, Delaware, Mixed Media, Painting / Painters, Sculptors / Sculpture, Wilmington
Apr 102026
 

Debra Cartwright, “Marked Infertile, 1873”, 2025, watercolor and oil on canvas

Tiana McMillan, “Venus Skirt”, 2018, ceramic

Tiana McMillan, “Self portrait”, 2017, underglazed ceramic (with work by Debra Cartwright in the background)

Debra Cartwright, “Whispers of care”, 2025, watercolor, pencil, ink, and collage on paper

Debra Cartwright‘s paintings and Tiana McMillan‘s sculptures work well together in Constellations of Belonging, currently on view at The Delaware Contemporary.

From the museum’s website-

Constellations of Belonging unfolds within a moment shaped by surveillance, bodily regulation, and persistent demands that Black women be legible, visible and consumable. The body is monitored, narrated, disciplined, and asked to explain its own presence.

This exhibition considers how artists tend to their inner world under these conditions. Interiority is approached as a political and ethical practice—a site of care, imagination, and endurance beyond public demand. The exhibition takes its structure from constellations: provisional patterns drawn across distance. Belonging, here, is composed across difference, pressure,and time.

Within the gallery, this idea appears through light and weight. Darker works, anchored at a concentrated point within the gallery, function as repositories—holding what has become too heavy, too charged, or too historically burdened to remain invisible. In doing so, they allow other forms within the space to move with greater restraint and quiet, unencumbered by what has already been borne.

This distribution frames fragmentation as strategy. The body, like a constellation, is extended across multiple sites as a means of protection and care. What is held in one place reshapes what becomes possible in another.

Constellations of Belonging invites viewers to consider belonging as a continual practice –made and remade in relation, sustained through imagination, and carried collectively rather than alone.

This exhibition closes 4/26/26.

Delaware Art Shows- “Creative Influence(r)” at The Delaware Contemporary

 Art, Art Shows by Location, Artists, Delaware, Mixed Media, Painting / Painters, Sculptors / Sculpture, Video and Film, Wilmington
Apr 102026
 

Lindsey Cherek Waller, “Making Plans”, 2025, acrylic on stretched canvas (It was also used for the cover of the upcoming book “Girls Our Age” by Phoebe Thompson)

Perry Picasshoe, “Splitting Heaven”, 2025, oil on unstretched canvas (part of a performance piece)

Perry Picasshoe, “Splitting Heaven”, 2025 (detail)

Creative Influence(r), currently on view at The Delaware Contemporary, features work by Lindsey Cherek Waller and Perry Picasshoe, two artists who use social media platforms to increase their visibility and success.

From the museum about the exhibition-

For centuries, art museums have wielded their power to define a predictable, prescribed path for aspiring artists. An artist striving to build a career from their work traditionally starts with a formal arts education, then builds a portfolio, hoping to secure gallery representation, which will garner the attention of collectors, galleries, and museums. But since the 2010s, that has shifted. Increasingly, young and emerging artists are utilizing social media platforms to subvert the traditional routes to becoming a working artist; a path that, for many, has numerous real and perceived barriers to entry. Using social media platforms, like TikTok and Instagram, artists have found ways to circumvent the traditional hierarchy of the art world, building their own audiences and collector bases by sharing their work online for millions to discover and appreciate. By utilizing these platforms, artists have also found a way to reinvigorate art for younger generations and those who feel excluded from institutional structures, making contemporary art more accessible for all.

Lindsey Cherek Waller and Perry Picasshoe built their artistic career on social media platforms where their art is activism. Their public artwork has protested ICE abductions, it has protected queer virtual and physical queer spaces, and has raised funds to support causes important to them. These artists are only two of many who are redefining “success in the art world”, their success comes directly from their fearlessness and advocacy for their work and communities.

Creative Influence(r) is on view until 4/26/26.

Delaware Art Shows- “This Place Meant” at The Delaware Contemporary

 Architecture, Art, Art Shows by Location, Artists, Collage, Conceptual Art, Delaware, Drawing, Installation Art, Mixed Media, Painting / Painters, Photographers / Photography, Sculptors / Sculpture, Wilmington
Apr 092026
 

Thea Abu El-Haj, “Architecture of Exile”, 2023, oil on board

Rayan Elnayal, “The courtyard lit up-Al Hoash Nawar”, 2023, digital print

Shira Walinsky’s installation

For This Place Meant at The Delaware Contemporary, artists Thea Abu El-Haj, Rayan Elnayal, and Shira Walinsky each present work that reflects aspects of what home means to them.

From the museum about the exhibition-

This Place Meant explores how three artists think about and imagine home when they are far from it. Each artist explores their lived or past relationship with the place they call home and where they are now. Thea Abu El-Haj remembers the home she once knew, Rayan Elnayal imagines a home she hopes to know, and Shira Walinsky shares the home she knows with new neighbors. If you were forced to leave your home, whether to be closer to family, to find a better life, to escape natural disasters or political trouble, how would you share memories from where you once lived? What parts of that place would you describe: the colors, the smells, the sounds?

We hope you tell them what that place meant to you.

Below are some additional works and the artist bios from The Delaware Contemporary’s website.

Paintings by Thea Abu El-Haj

As a Palestinian American artist, Thea’s work excavates personal and collective narratives of loss, exile, and resistance, even as it celebrates the beauty and joy around us. She is drawn to the imprint of human history on the natural landscape. Growing up in the Middle East, the colors, quality of light, and traces of millennia of human presence continue to resonate through her work, even as the landscapes of the Northeastern U.S. where she has lived her adult life influence what she paints. Buildings and stone walls in the process of decay; light coming through dark and dark through light; the quality of color at different times of day are all sources for her work.

Digital prints by Rayan Elnayal

Rayan Elnayal is a Sudanese artist, designer, and educator based in London, with a background in architecture. In 2020, she transitioned from traditional practice to an alternative one that fosters a more equitable and creative approach to design but also nurtures her artistic pursuits. She is also the co-founder and director of Space Black, a collective of Black professionals in the built environment, dedicated to imagining alternative spatial futures for marginalised communities.

Her pieces invite viewers to step into these imagined spaces and explore them. Her work challenges us to reflect on our personal attitudes toward futurism and futuristic aesthetics, while reminding us that our envisioned future built environments can honour our heritages, communities, and shared joy.

Shira Walinsky is an interdisciplinary artist and teacher. Her work centers on people and places in the City of Philadelphia. She has worked in Philadelphia for 20 years on murals, paintings, photography, films and other public participatory work. The map can be a portrait of places and the face a map of our experiences. She is interested in how the vibrant and the sensory can amplify the stories of people and place. This manifests in bus wraps, films, photography, painting and murals. In 2012 she co-founded Southeast by Southeast with Mural Arts Philadelphia. Southeast by Southeast is a community space co-created with social workers and artists and community leaders for and with refugee and immigrant communities. Shira strives to create innovative projects which elevate the resilience of immigrant and refugee stories.

This exhibition, part of the museum’s Winter/Spring exhibitions, closes on 4/26/26.

Florida Artists- Permanent Collection- Elisabeth Condon at Tampa Museum of Art

 Art, Art Shows by Location, Artists, Florida Art Shows, Mixed Media, Painting / Painters, Tampa
Apr 032026
 

“American Pastorale”, 2016, Acrylic, latex, glitter on linen

“American Pastorale”, 2016 (detail)

American Pastorale, by Elisabeth Condon, part of the Tampa Museum of Art‘s permanent collection, is currently on view in the museum’s group exhibition Avant Garde: Remarkable Women in the Permanent Collection.

From the museum about the work-

The foliage growing near her Tampa studio, traditional Chinese scroll painting, vintage fabrics, and wallpaper samples inspire Elisabeth Condon’s paintings of tropical flora. She often isolates an object or pattern from these source materials and incorporates it as a central image or texture in her paintings. In American Pastorale, a chrysanthemum anchors the painting. To create various layers in this work, Condon applied color with expressive brushwork and poured paint directly onto the canvas. The artist’s palette of intense reds, oranges, and pinks, as well as cooler blues and greens, evokes Florida and Southern California’s vibrant landscapes. Iridescent glitter adds texture and luminosity to the surface.

Flashback- Nick Cave at Columbus Museum of Art

 Art, Art Shows by Location, Artists, Columbus, Conceptual Art, Dance, Fiber Arts, Installation Art, Mixed Media, Ohio Art Shows, Performances, Sculptors / Sculpture, Video and Film, Washington D.C.
Feb 272026
 

Pictured is one of Nick Cave‘s Soundsuits, created using found fabrics and metal and wood toys. It was on view at Columbus Museum of Art in 2024.

From the museum about the work-

Nick Cave’s Soundsuits are sculptural costumes, some of which were made to be worn, others to remain stationary. Although these suits often appear whimsical and joyful, they also respond to suffering and injustice. Cave created his first suit in response to the beating of Rodney King by Los Angeles police officers in 1991, an event that focused attention on discriminatory policing and racial profiling. Reflecting the artist’s lived experience as an African American man, the Soundsuits camouflage the wearer’s body, concealing markers of race, gender, and class.

In the Art21 video below you can see some of his Soundsuits in motion. He studied with the Alvin Ailey American Dance Theater and that influence can be seen here as well.

Art 21-Nick Cave in Chicago- Season 8

Cave’s latest exhibition, Mammoth, recently opened at the Smithsonian American Art Museum in Washington D.C. and will be on view until January of 2027.

About that show from SAAM-

In Mammoth, Cave remakes the museum’s galleries into an immersive environment marked by the crafted hides and bones of mammoths, a video projection of the long-dead animals come to life, and hundreds of transformed found objects—from vintage tools to his grandmother’s thimble collection—presented like paleontological specimens on a massive light table. By showcasing the ordinary and often forgotten bits and pieces of the world we live in, Cave’s work shines light on what we value and how we make meaning together. It evokes the lives and cultures we have lost, as well as the magical possibilities of a universe created through imagination and the humblest of materials.

Focused on the fundamental connections between people and their environment, Cave asks how we can begin to make sense of our relationship with a landscape that continues to evolve. How might we adapt, persevere, even thrive? As the contemporary world increasingly challenges what it means to be human, Cave envisions a space of both grief and possibility.

 

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