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Feb 052026
 

Symbiosis (2011) by artist Roxy Paine has been on display in Iroquois Park on the Benjamin Franklin Parkway in Philadelphia since June 2014.

About this work from the Association for Public Art (aPA), which organized the installation and acquisition-

Hand-fabricated from thousands of pieces of stainless steel pipe, plate, and rods, Symbiosis suggests both ecological and anatomical branching systems.

Rising 34 feet high, the more than 3.5 ton sculpture was created from standard industrial piping that was welded, formed, and polished in the artist’s studio to create two shimmering, interrelated organic forms that both buttress and weigh on one another, referencing the darker aspects of nature and the fierceness of its laws. Symbiosis represents the collision of two dendroids that result in stasis, a questionable relationship that teeters between support and detriment.

Roxy Paine’s work consistently blurs the lines between the natural and artificial. He is known for work that explores the collision of industry and nature, and his series of stainless steel “Dendroid” sculptures are exemplary manifestations of this practice. The “Dendroids,” a term combining “dendron” (Greek for “tree”) and -oid (a suffix meaning “form”), are monumental structures that convey a fusion of industrial and organic forms. They evoke arboreal structures, vascular systems, synaptic networks, and industrial pipelines, interpreting the natural world through a man-made lens. The structures represent search, growth, and the branching of systems that suggest dormant energy and potential, a theme Paine has explored in his work for the last 15 years.

Nearby you can also find Mark di Suvero‘s painted steel sculpture Iroquois (seen in the second image posted).

Feb 022026
 

Self Improvement- Settle Down

This song is from Long Beach post-punk band Self Improvement‘s 2025 album, Syndrome.

They are playing at Oblivion in Highland Park on Thursday, 2/5/26, with Bria Salmena and L&P.

Feb 022026
 

Sean Solomon- Shooting Star

Every month I listen to the majority of bands and musicians who are playing in Los Angeles and select some for a monthly playlist. It includes a variety of genres and usually newer work by the artist.

This month includes new music from Cate Le Bon, Lindsey Troy of Deap Vally, and Together Pangea; a Duran Duran cover by Storefront Church; and a little more electronic music than usual- including a new song by hyperpop artist Glaive.

LA-based musician and animator Sean Solomon released Shooting Star this past October, and also created the video.

Below are January’s selections-

 

Jan 312026
 

Secret Mall Apartment Trailer

The story in the 2024 documentary Secret Mall Apartment, feels relatively straightforward at first. In 2003, a group of eight artists built an apartment in a small, unused space in the Providence Place shopping mall in Providence, Rhode Island. They continued to use it until they were discovered a few years later. But the film takes you on a journey beyond the creation of the apartment. It’s also about gentrification, urban development, and artist housing; mall culture and consumerism; the artists’ work outside the apartment; and, by the end, even the question of what makes something art.

Artist Michael Townsend was no stranger to art installations. He had previously created one inside a drainage tunnel, allowing only a select few with keys to see it. When local artist venue and living space Fort Thunder was torn down, the idea of living in the nearby new mall began. He remembered noticing an odd extra space while the mall was still being constructed. After searching and finding it with his then-wife Adriana Valdez Young, friends and fellow artists Colin Bliss, Andrew Oesch, Greta Scheing, James Mercer, Emily Ustach, and Jay Zehngebot joined them to build the apartment. Luckily for viewers, the process was also documented with a Pentax Optio (even if the footage is low-res). Furniture was added, along with a video game system, and eventually a wall.

While their new home provided a break from the outside world, it also became a place for the artists to plan their tape-art installations. These included a five-year portrait series in NYC for 9/11; a mural on the site of the Oklahoma City bombing; and creating work with kids on the walls of Hasbro Children’s Hospital in Rhode Island. Townsend continues to make tape-art projects today.

The documentary is fun to watch and at times, even inspirational. It’s currently available to watch on Netflix and other online platforms.

Jan 302026
 

Going all the way back to 2015 today for this mural by El MAC, Augustine Kofie, and Joseph ‘Nuke’ Montalvo. La Abuelita/Má’sání, a portrait of Diné (Navajo) weaver Martha Gorman Schultz, is located on the outside of The American Hotel in Los Angeles.

From El MAC (Miles MacGregor)’s website about the mural-

“The portrait is painted entirely with aerosol and fatcaps, and is based on photos I shot a few years ago of an artist named Martha Gorman Schultz. She is a Navajo blanket weaver from northern Arizona, and part of a respected family of weavers including her granddaughter, Melissa Cody.

I felt this painting of Martha could be an empowering representation of beauty not often depicted in public art or media. Beauty that is feminine, elderly, indigenous, loving and powerful.

The building this mural was painted on was constructed in 1901, and you can imagine how much Los Angeles history it’s seen over the last hundred years or so.

This was an especially collaborative effort- Along with the work of Kofie and Nuke surrounding the figure, SKILL UTI painted the wall to the left, integrating an already existing piece by DASH 2000(Rest In Peace). SWAN provided ground support, along with CHEE, AISE, BLK, OFIER, SELEK, CALVYRUS and some other younger members of UTI crew, which has been painting these walls for the last few decades.”

Sadly, Martha Gorman Schultz passed away in February of last year at the age of 93. For more information on her life and work, check out Hyperallergic’s tribute.

Jan 292026
 

“Boys Planting”, 2021, Oil on canvas

“The Last Night”, 2020, Oil and acrylic on canvas

“Quiero Amor”, 2019, Oil on canvas

“Nous Visited The Seine, But Did Not Swim”, 2022, Oil on canvas

“The Senses”, 2021, Oil and oil stick on canvas

The paintings in Jerrell Gibbs‘s solo exhibition at Brandywine Museum of Art, No Solace in the Shade, are alive with colors and movement, capturing moments in time both real and imagined.

From the museum about the show-

“Jerrell Gibbs: No Solace in the Shade” surveys the first decade of contemporary Baltimore artist Jerrell Gibbs’s (b. 1988) career and marks his first one-person Museum exhibition. A painter with astonishing creativity, Gibbs’s dynamic, large-scale figurative paintings explore facets of Black life, including family, friends, and community. His highly personal approach creates a narrative that centers everyday moments in Black life, representations of which have been excluded from art history until recent decades. Throughout his body of work, Gibbs transforms scenes of ordinary life into monumental moments while exploring themes of identity, reflection, and belonging.

Across his career, Gibbs has challenged the near invisibility of Black life in American art. He does so by celebrating identity and culture with profound compassion and insight, often weaving in elements of his own upbringing. Several works featured in the exhibition represent people from his own life. Old family photographs are also an inspiration in his creative process, prompting Gibbs to explore questions of identity and the passage of time. Gibbs conveys the joy, liveliness, and contemplation of Black life in positive representations. Shifting away from menacing racial stereotypes present in previous depictions of Black life in art (particularly images of Black men), Gibbs’ paintings show Black people living, not just surviving.

This exhibition closes 3/1/26.

Jan 292026
 

Chopping Ice from the Water Trough, 1935, an oil painting by artist Dale Nichols, is part of Brandywine Museum of Art‘s permanent collection.

From the museum about the work-

Rising to popularity during the Great Depression, a style known as American Regionalism brought modern stylization to images of rural life. In his landscape painting Chopping Ice from the Water Trough, Dale Nichols engages Regionalism by bringing a clean, minimal approach to his representation of daily farm chores by highlighting the smooth contours of the snowy slopes and the sharp-edged geometry of the barn. Nichols, a native of Nebraska, trained and taught for many years at the Art Institute of Chicago but returned throughout his career to the farm subjects most familiar to him from his childhood. His work was so attuned to farm life that International Harvester Company commissioned him to depict a series of works marking the development and use of the famous McCormick Reaper in agriculture.

Jan 272026
 

A Morning Snow– Hudson River, the 1910 oil painting by George Wesley Bellows, is part of Brooklyn Museum‘s permanent collection (but not currently on view).

From the museum’s website about the work-

Assured, slashing strokes of a heavily loaded brush capture the effects of morning light reflected from freshly fallen snow. This view shows the Hudson River and New Jersey from Manhattan’s Upper West Side. George Wesley Bellows conveyed the sense of the city awakening through his depiction of the man shoveling snow, people going to work, boats plying the river, and smoke and steam interrupting the still, crisp atmosphere.

Elements of this composition move toward abstraction. The elevated vantage point reduces the illusion of depth, while horizontal and vertical components, seen particularly in the fence and tall trees, provide a subtle gridlike structure.

Jan 252026
 

“January”, 1940-41, Oil on masonite panel

Grant Wood‘s painting January is on view at Cleveland Museum of Art as part of their permanent collection. It feels like a good time to post it with both a big snowstorm happening in many parts of the U.S., and it being January.

From the museum about the work-

One of the last paintings Wood created before his untimely death from liver cancer, January has a decidedly nostalgic cast. According to the artist, the painting was “deeply rooted in the memories of my early childhood on an Iowa farm. . . . it is a land of plenty here which seems to rest, rather than suffer, under the cold.” One sign of activity, in the form of rabbit tracks, infiltrates the otherwise dormant scene. Wood’s composition teems with abstract design, most notably through the rhythmically geometric array of snow-laden corn shocks that seem to recede infinitely into the distance.